St Helier's Church, known as the Town Church, is one of the 12 parish churches of Jersey. Helier was a Belgian saint who lived as a hermit on an islet in St Aubin's Bay, about three quarters of a mile off the south coast of Jersey. In AD 555 he was killed by pirates, beheaded by their leader who feared his men would be converted by Helier's preaching. In consequence Helier soon came to be venerated by the Islanders, and eventually was adopted as the Patron Saint of both Jersey and its capital.
Land reclamation means that the church, which was once on the shoreline, is now some way inland. There are iron rings in the boundary wall, which some historians suggest were used to moor boats, but the tide would only have reached here on the highest of spring tides and it is much more likely that the rings were used to tie cattle brought to market in town. The original marketplace was about 60 metres away next to a large rock which was surrounded by the sea at high spring tides.
It is believed that a chapel was erected on the site of the present building very shortly after Helier's death, but the present church was begun in the 11th century. The earliest record is in a document regarding the payment of tithes signed by William the Conqueror, which is assumed to pre-date the Norman Conquest of 1066. All that is visible of the 11th century structure are the remains of window arches on either side of the choir. The building was reconsecrated in 1341 for unknown reasons.
The church building was extended to roughly its present size by the end of the 12th century, but most of that building is also lost. The sections of wall flanking the east window, part of a pier on the north east side of the crossing, the west face of the north door and the adjoining section to the west, and a small section of wall opposite are all that remain of the building period of roughly 1175 to 1200. The porch attached to the north door and the greater part of the nave and crossing were built in the second quarter of the 15th century.The date of the chancel is impossible to determine, since the original walls have been obliterated by the north chapel on the one side and the south chapel on the other. Most of the north transept dates to the second quarter of the 13th century. The present south transept, vestry, and the westwards extension to the nave are largely Victorian. A major renovation and re-ordering of the church began in 2007, and will take several years.
A chapel, La Chapelle de la Madeleine, existed in the north west corner of the churchyard until the Reformation. Formerly the Rectory and church offices were on the north side of the churchyard. These were replaced in 1969 by a new Church House building, a large concrete edifice incorporating offices, a church hall, kitchens and a choir vestry, together with a flat. The Rectory was moved to a large, purpose built Georgian house in the early 19th century.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.