The Rossgarten Gate is one of seven surviving city gates of Kaliningrad. Named after the district Rossgarten, the current gate replaced a previous version of the gate from the beginning of the 17th century. It was constructed between 1852-1855 under the supervision of Wilhelm Ludwig Stürmer. The gate was damaged after the war, but restored afterwards and currently houses a café-restaurant called Solnetsnyy Kamen ('Solar Stone').

The gate consists of only one passage of about four meters wide. On both sides of the passage three casemates are located, so the gate in total has seven openings. On top of the facade of the gate can be found a series of merlons, divided into two parts by the central elevated part of the gate. The gate itself has two high octagonal turrets. Above the main arch of the gate a lookout area is situated, again equipped with merlons. Reliefs of the Prussian generals Gerhard von Scharnhorst and August Neidhardt von Gneisenau decorate the main arch. While the city side of the gate is a highly decorated, the outer side does not have any decorative ornaments.



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Founded: 1852-1855
Category: Castles and fortifications in Russia

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Galina Golovkina (2 years ago)
Одно из немногих атмосферных мест Калининграда.
Александр Павлюк (3 years ago)
Росгартенские ворота (нем. Roßgärter Tor) — одни из семи сохранившихся городских ворот Калининграда. Расположены на пересечении улиц Черняховского и Александра Невского, рядом с площадью Василевского и музеем янтаря. Нынешнее здание ворот расположено на том месте, где располагались одноимённые ворота, относившиеся к первому вальному укреплению города (начало XVII века). Сохранившееся до наших дней здание ворот было построено в 1852—1855 годах по проекту Инженера-гауптманна и директора крепостного строительства Ирфюгельбрехта и инженер-лейтенанта фон Хайля в Кёнигсберге. Проект фасада ворот был разработан тайным верховным строительным советником Августом Штюлером, руководителем Технической строительной депутации в Берлине. Автор скульптурных украшений — Вильгельм Людвиг Штюрмер. Первый проект ворот был разработан в 1852 году ведомством крепостей в Кёнигсберге. Этот проект был значительно переработан тайным советником Штюлером. Штюлер сам проработал проект фасада, придав ему ярковыраженные готические формы. После войны ворота были восстановлены и стали использоваться как кафе-ресторан «Солнечный камень».
Dmitry Ignatov (3 years ago)
Да ладно... Какая инстанция согласовала размещение мест на улице? Замеры шума и содержания СО проводились? Зашли и вышли - поток машин, вонь от выхлопных газов неслабая.
Оля Ля (3 years ago)
Обслуживание медленнее черепахи! При том, что много столов было незанятых. Кухня ни о чем: заказали шашлык из свинины двойную порцию - не вкусно, так ещё и явно был обвес, шашлык из курицы - такое ощущение, что мясо не жарили, а тушили, овощи-гриль вообще не принесли, но в счёт включили. Единственное, что понравилось - вид на внутренней территории. Больше туда ни ногой, и другим не советую.
Lilia Faizova (3 years ago)
Вид с террасы супер. Еда так себе. 4 только за вид.
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Holy Trinity Column

The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.

The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.

The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.

Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.

In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.

The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.