The Rossgarten Gate is one of seven surviving city gates of Kaliningrad. Named after the district Rossgarten, the current gate replaced a previous version of the gate from the beginning of the 17th century. It was constructed between 1852-1855 under the supervision of Wilhelm Ludwig Stürmer. The gate was damaged after the war, but restored afterwards and currently houses a café-restaurant called Solnetsnyy Kamen ('Solar Stone').

The gate consists of only one passage of about four meters wide. On both sides of the passage three casemates are located, so the gate in total has seven openings. On top of the facade of the gate can be found a series of merlons, divided into two parts by the central elevated part of the gate. The gate itself has two high octagonal turrets. Above the main arch of the gate a lookout area is situated, again equipped with merlons. Reliefs of the Prussian generals Gerhard von Scharnhorst and August Neidhardt von Gneisenau decorate the main arch. While the city side of the gate is a highly decorated, the outer side does not have any decorative ornaments.



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Founded: 1852-1855
Category: Castles and fortifications in Russia

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Galina Golovkina (2 years ago)
Одно из немногих атмосферных мест Калининграда.
Александр Павлюк (3 years ago)
Росгартенские ворота (нем. Roßgärter Tor) — одни из семи сохранившихся городских ворот Калининграда. Расположены на пересечении улиц Черняховского и Александра Невского, рядом с площадью Василевского и музеем янтаря. Нынешнее здание ворот расположено на том месте, где располагались одноимённые ворота, относившиеся к первому вальному укреплению города (начало XVII века). Сохранившееся до наших дней здание ворот было построено в 1852—1855 годах по проекту Инженера-гауптманна и директора крепостного строительства Ирфюгельбрехта и инженер-лейтенанта фон Хайля в Кёнигсберге. Проект фасада ворот был разработан тайным верховным строительным советником Августом Штюлером, руководителем Технической строительной депутации в Берлине. Автор скульптурных украшений — Вильгельм Людвиг Штюрмер. Первый проект ворот был разработан в 1852 году ведомством крепостей в Кёнигсберге. Этот проект был значительно переработан тайным советником Штюлером. Штюлер сам проработал проект фасада, придав ему ярковыраженные готические формы. После войны ворота были восстановлены и стали использоваться как кафе-ресторан «Солнечный камень».
Dmitry Ignatov (3 years ago)
Да ладно... Какая инстанция согласовала размещение мест на улице? Замеры шума и содержания СО проводились? Зашли и вышли - поток машин, вонь от выхлопных газов неслабая.
Оля Ля (3 years ago)
Обслуживание медленнее черепахи! При том, что много столов было незанятых. Кухня ни о чем: заказали шашлык из свинины двойную порцию - не вкусно, так ещё и явно был обвес, шашлык из курицы - такое ощущение, что мясо не жарили, а тушили, овощи-гриль вообще не принесли, но в счёт включили. Единственное, что понравилось - вид на внутренней территории. Больше туда ни ногой, и другим не советую.
Lilia Faizova (3 years ago)
Вид с террасы супер. Еда так себе. 4 только за вид.
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Royal Palace of Naples

Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.

Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.

In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.

During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.

In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.

The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.