The Gavrinis island is famous because of its important passage grave, a megalithic monument from the Neolithic period, belonging to the same broad context as the Breton megaliths of Carnac and Locmariaquer. At the time of its construction, c. 3500 BC, the island was still connected with the mainland. The rich internal decorations make Gavrinis one of the major treasuries of European megalithic art. The tomb is also remarkable for the care taken in its construction and its good preservation.
The stone mound has a diameter of about 50m. The mass of stones forming the cairn is internally structured by a series of walls, subdividing it into separate 'ranks'. It is a characteristic example of Neolithic dry stone architecture. The mound covers a single rectangular (nearly square) slab-built burial chamber, located at the centre of the mound and measuring about 2.5m across. The chamber is built of about 50 carefully placed slabs. The biggest of these is the ceiling slab which weighs nearly 17 tons.
The chamber is reached from outside by a 14m long corridor or passage. Of the 29 orthostat slabs that form the sides of the passage, 23 are decorated with carved symbols and patterns. Some of the symbols appear to represent non-abstract objects, like axes and croziers or staffs. A common horn-like motif may symbolise cattle, a shape conventionally called the shield may be a very stylised human figure. More abstract motifs include zigzag lines, lozenges and snake-like lines.
A replica of part of the Gavrinis passage with its decorated slabs can be visited in the Museum at the megalithic necropolis of Bougon.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.