Maritime Centre Vellamo is a unique building in Finland with a wave-like roof. It houses the Maritime Museum of Finland, Museum of Kymenlaakso and Information Centre Vellamo.
The Maritime Museum of Finland is a national maritime museum operating under the National Board of Antiquities and the Ministry of Education, destined to record the history of seafaring in Finland and to convey related information. The Maritime Museum collects and preserves items, photographs, archival material and literature pertaining to seafaring and boating.
In its main exhibition “North Star, Southern Cross”, the Maritime Museum of Finland tells about the history of seafaring in Finland, focusing on issues such as life of seafarers, development of ships, maritime trade, and travelling by sea. The main exhibition also covers the speciality of Northern seafaring, winter shipping and ice.
The Museum of Kymeenlaakso records, studies, preserves and presents the cultural legacy of Kotka and the entire region of Kymenlaakso. The foremost themes of the main exhibition Flow are efficiency as well as the relationship between an individual and the community. These themes are approached from a number of angles, and the topics covered include perception of time, significance of money, boundaries and crossing them, beauty, immortality, work and having fun.
There’s also an icebreaker Tarmo located outside the Vellamo. Built in 1907, it’s one of the oldest still surviving icebreakers in the world.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.