Kotka Church, Kotka, Finland - SpottingHistory.com

The church of Kotka was designed by architect Josef Stenbäck and completed in 1898. The red-brick church was built in the Neo-Gothic style. The altarpiece was painted by famous painter Pekka Halonen.

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Aija Saikkonen (15 months ago)

Ann-Mari Grims (2 years ago)
Kaunein kirkko missä oppaanakin ollut ja valokuvannut. Tumma ja runsaasti valaisevat ikkunat, kauniiden yksityiskohtien täydentävää uusgoottilaista tyyliä. Kynttelikkökin erottuu edukseen ympäristön ollessa muutakin kuin lakanan valkoista. Piha alue ja taide teokset tontilla korostaa rakennuksen asemaa keskipisteenä ja ylistää ulkonäköään. Tutustumisen arvoinen, et pety

Marina Palander (2 years ago)
Joululauluja laulamassa. Tunnelma hyvä. Upea kuusi.

Yasnita Martha (2 years ago)
Kaalhk Jan KS keen jacks land amen ma'am ma'am min

MarciaDelores V (2 years ago)
Kirkontorni on minusta Kotkan kaupungin keskustan maamerkki, jonka avulla on helppo suunnistaa kompaktin kokoisessa keskustassa. Mielestäni erittäin kaunis kirkko. Valitettavasti en ole vielä päässyt vierailemaan sisätiloissa, mutta ehkä seuraavalla kerralla... Kotkassa on paljon ihania puistoja ja kun menet siihen yhteen tiettyyn puistoon jonka nimi saattaa olla Palotorninmäki tms, jossa on siis se ilmatorjuntatykki. On aika huikea näky kun katsot tietystä perspektiivistä siten, että kirkontorni näkyy kukkulan yläpuolelta, ja tykki sojottaa sitä kohden tai sen vieressä, ja jos taivas on vielä auringonlaskun punainen, on se näky on vaan huikea, tosi dramaattinen ⛪

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Photo from Flickr, copyright Frans.Sellies

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The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).

It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.

After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.

UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.

Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.

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