The Volotovo Church was built in 1352 by Moisey, the archbishop of Novgorod. The church survived the Time of Troubles, when many Novgorod churches were destroyed or damaged by the Swedes. During the World War II, the church was basically at the front line between the Soviet and the German armies for three years and was destroyed. In 1955, Leonid Krasnorechyev performed conservation of the monument. The church was standing as a ruin but was not decaying further. The frescoes were destroyed as well, but the debris were still on the site, and the restorators started work on recovering fresco fragments from the debris. In 2003, the building was reconstructed, The author of the reconstruction project was Ninel Kuzmina.
The chronicles mention that in 1363 a part of the church was painted, but presumably the frescoes in rest of the interior were created later, around 1380. The whole interior of the church was covered by frescoes, which was common for that time, but almost all fully painted churches were eventually destroyed or lost the original frescoes, and so far the only intact church with the fully painted interior is preserved in the Ferapontov Monastery. The Volotovo frescoes were extensively studied, and black and white photographs of every detail, as well as coloured copies, survived and considerably simplified the restoration. In 1977, the frescoes became the subject of a book of Mikhail Alpatov.
The name of the painter is not known. For a long time, the frescoes were ascribed to Theophanes the Greek, however, it was decided later that the 1380 frescoes did not belong to Theophanes and were essentially more dynamic that all the works of Theophanes. At the time of creation, this was a novel style in Russian art.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.