The Saint Hilarion Castle is the best preserved ruin of the three former strongholds in the Kyrenia mountains, the others being Kantara and Buffavento. Saint Hilarion was originally a monastery, named after a monk who allegedly chose the site for his hermitage, with a monastery and a church built there in the 10th century. Starting in the 11th century, the Byzantines began fortification. Saint Hilarion formed the defense of the island with the castles of Buffavento and Kantara against Arab pirates raiding the coast. Some sections were further upgraded under the Lusignan rule, who may have used it as a summer residence. During the rule of Lusignans, the castle was the focus of a four-year struggle between Holy Roman Emperor Frederick II and Regent John d' Ibelin for control of Cyprus.
The castle has three divisions or wards. The lower and middle wards served economic purposes, while the upper ward housed the royal family. The lower ward had the stables and the living quarters for the men-at-arms. The Prince John tower sits on a cliff high above the lower castle. The church lies on the middle ward. The upper ward was reserved for the Royals and can be entered via a well-preserved archway. Farm buildings are located in the west close to the royal apartments. Along the western wall, there is a breathtaking view of the northern coast of Cyprus, overlooking the city of Girne, from the Queen's Window.
Much of the castle was dismantled by the Venetians in the 15th century to reduce the up-keeping cost of garrisons.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.