In the prehistoric period, Cyprus played a key role in the transmission of culture from the Near East to the European world. Khirokitia or Choirokhoitia is an exceptionally well-preserved archaeological site that has provided, and will continue to provide, scientific data of great importance relating to the spread of civilization from Asia to the Mediterranean world. Both the excavated remains and the untouched part of Choirokhoitia demonstrate clearly the origins of proto-urban settlement in the Mediterranean region and beyond.
The Neolithic settlement of Choirokoitia is one of the most important prehistoric sites in the eastern Mediterranean. It illustrates one aspect of the expansion of Neolithic culture in the special island environment. The long occupation of the village and the ample documentation of its cultural phases facilitate study of the evolution of this society. Burial customs and the use of figurines provide evidence for ritual and religious practices and beliefs of historical importance as manifested in some aspects of the material culture.
Permanent human occupation began in the Aceramic (pre-pottery) Proto-Neolithic period, starting around 7000 BC, when the Choirokhoitia site was founded, probably by people from Anatolia or the Levant - sedentary farmers, cultivating cereals and herding sheep, goats and pigs, all introduced from Asia Minor. For some reason Choirokhoitia and other sites were abandoned abruptly in the mid-6th millennium BC and were not reoccupied until 1,000 years later, in the Ceramic Neolithic period. There is less monumental evidence of occupation in the form of the remains of buildings from this period at Choirokhoitia, but new forms of plant and animal life, as well as the characteristic pottery, have been identified, suggesting that the new inhabitants were members of a fresh immigrant group, whose way of life was again based on agriculture and the raising of domestic animals. The site was finally abandoned in the early 4th millennium BC.
The earliest occupation, consisting of circular houses built from mud-brick and stone with flat roofs, was on the eastern side of the hill. It was protected by a massive wall barring access from the west (the other sides were protected naturally by the curve of the river and by very steep slopes). A second defensive wall was erected to protect a later extension of the village to the west. Both of the enceintes were pierced by gateways, an impressive example of which came to light during excavation. A staircase with three flights of steps was built within the thickness of an external stone bastion in the form of a parallelepiped, and still standing to a height of 2.50 m.
Some 20 houses have been excavated; they were constructed directly on the ground, without foundations, of undressed limestone blocks, mud-brick and rammed clay. The outer surfaces are frequently of stone and the inner of clay or unfired brick. Impressions in the debris have made it possible to deduce that their roofs were flat, made from branches and reeds topped with clay. In some places there is evidence of the internal surfaces of the walls having been painted.
Associated with the houses were the remains of hearths, cereal querns, and other domestic and agricultural equipment. A number of the houses had human burials beneath their rammed earth floors, showing evidence of inhumation rituals having been practised.
The finds from the settlement include many objects in stone and bone and, later, pottery, along with vegetable materials such as burnt grain (early forms of wheat and barley, lentils). Animal bones include domesticated species. The tools are diversified, ranging from bone needles to agricultural implements such as sickles. However, the most noteworthy finds are undoubtedly the anthropomorphic figurines in stone (and one in clay), which point to the existence at this early period of elaborate spiritual beliefs.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
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Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.