Panagia Apsinthiotissa or Absinthiotissa is a Greek Orthodox monastery probably established in the 11h or 12th century as a Byzantine imperial foundation and continued to enjoy a degree of prominence in the Lusignan and Venetian periods. Leontios, the abbot in about 1222, was one of the delegates sent to report the plight of the Orthodox Church under Latin jurisdiction to the Patriarch Germanos II in the Empire of Nicaea. Neophytus, Archbishop of Cyprus, was also in Nicaea at the time, having been banished by the Latin authorities for refusing to take an oath of obedience to the Roman Pontiff. Boustronios tells us that the Queen of Cyprus worshipped at the monastery in 1486, the implication being that Panagia Apsinthiotissa was under the Roman Church. He also reports that pilgrimages were made to Apinthi and Antiphonitis on the fifteenth of August by all the people of Kyrenia. After the Ottoman conquest, the monastery became the property of the Orthodox Patriarch of Jerusalem and subordinate to the nearby Monastery of Saint Chrysostom in Koutsoventis.
The main church of the monastery appears to have been built in the 12th century and has a cross-in-square plan of the Byzantine type surmounted by a high dome. The narthex, on the west side, has simple Gothic rib vaulting and probably dates to the 15th century. Writing in 1918, George Jeffery describes the establishment as a ruin.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.