Lahneck Castle was built in 1226 by the Archbishop of Mainz Siegfried III of Eppstein to protect his territory at the mouth of the Lahn, where the town of Oberlahnstein and a silver mine had come into the possession of the Archbishopric in 1220. The castle chapel, dedicated to Saint Ulrich of Augsburg, was built in 1245, in the same year the first Burggraf took up residence in the castle.
In 1298, King Adolf of Nassau was a guest at the castle, shortly before his death in the Battle of Göllheim against King Albert I of Habsburg. In order to avenge him, the Burggraf of Lahneck, Friedrich Schilling of Lahnstein, participated in a conspiracy against Albert. The castle was stormed in 1309 and Friedrich Schilling was executed.
According to legend, when the Knights Templar were ordered by Pope Clement V to disband in 1312, the last 12 Templars took refuge in the castle, where they perished in a heroic fight to the death with forces of Mainz Archbishop Peter of Aspelt. In 1332, Pope John XXII granted a 40-day indulgence to those attending services in the castle chapel.
In 1475, Mainz Archbishop Theodoric of Isenburg-Büdingen had the castle strengthened with two outer walls following the Mainz Bishops Feud with his rival archbishop, Adolph II of Nassau. In 1633, during the Thirty Years War, the castle was heavily damaged by Swedish and Imperial troops.
On July 18, 1774, Johann Wolfgang von Goethe wrote the poem Geistesgruß. It was inspired by the sight of Lahneck Castle during his travels along the Lahn River.
In the German Mediatisation of 1803, in which the Archbishopric of Mainz lost its secular territories, Lahneck Castle was granted to the Duchy of Nassau. In 1850 it was sold and has remained in private ownership since. Edward Moriarty, a Director of the Rhenish Railway Company, became one of its first owners. During the ownership of Earl Kleist-Tychow a more than life-sized portrait of Queen Victoria was presented which can still be seen at the castle. Imperial Admiral Robert Mischke, later commander of armoured cruiser 'von der Tann', purchased the castle in 1909 and it has been owned by his family ever since.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.