In 990 AD, Willigis, Archbishop of Mainz and Archchancellor of the Holy Roman Empire, endowed a collegiate foundation in Mainz and had the church built as the “Empire’s Place of Prayer”. The constructor of the cathedral was himself laid to rest in St. Stephen’s in 1011. The new Gothic building was erected between 1290 and 1335. It stands on the foundations of the basilica built in Ottonian-pre-Romanesque style around 990. When the (gun) Powder Tower located nearby blew up in 1857, St. Stephen’s was also badly damaged. The rich baroque decoration was removed during the reconstruction.
St. Stephen’s is the only German church for which the Jewish artist Marc Chagall (1887 - 1985) created windows. He completed his final window shortly before his death at the age of 97. Nineteen later and deliberately more modest windows in the side aisles by Charles Marq, from the Atelier Jacques Simon in Reims, serve to lead up to the masterpieces. Chagall worked together with Marq for 28 years.
Anyone who has seen the famous windows should not afterwards fail to take a walk around the most beautiful late-Gothic cloister in Rhineland-Palatinate. This was the place of burial of many of the 600 canons. Tombstones and the coats of arms of the capitular families recall their memory. The coats of arms are enriched by modern keystones donated by the federal and state governments, the bishopric and city of Mainz. Works of art, such as the enthroned God the Father from the 15th century, or the late Gothic sculpture of St. Anne, the Virgin and the Christ Child, should also not be overlooked. For some years in St. Stephen’s, children have been baptised in the original Gothic baptismal font from 1330 again.References:
Glimmingehus, is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".