In 990 AD, Willigis, Archbishop of Mainz and Archchancellor of the Holy Roman Empire, endowed a collegiate foundation in Mainz and had the church built as the “Empire’s Place of Prayer”. The constructor of the cathedral was himself laid to rest in St. Stephen’s in 1011. The new Gothic building was erected between 1290 and 1335. It stands on the foundations of the basilica built in Ottonian-pre-Romanesque style around 990. When the (gun) Powder Tower located nearby blew up in 1857, St. Stephen’s was also badly damaged. The rich baroque decoration was removed during the reconstruction.
St. Stephen’s is the only German church for which the Jewish artist Marc Chagall (1887 - 1985) created windows. He completed his final window shortly before his death at the age of 97. Nineteen later and deliberately more modest windows in the side aisles by Charles Marq, from the Atelier Jacques Simon in Reims, serve to lead up to the masterpieces. Chagall worked together with Marq for 28 years.
Anyone who has seen the famous windows should not afterwards fail to take a walk around the most beautiful late-Gothic cloister in Rhineland-Palatinate. This was the place of burial of many of the 600 canons. Tombstones and the coats of arms of the capitular families recall their memory. The coats of arms are enriched by modern keystones donated by the federal and state governments, the bishopric and city of Mainz. Works of art, such as the enthroned God the Father from the 15th century, or the late Gothic sculpture of St. Anne, the Virgin and the Christ Child, should also not be overlooked. For some years in St. Stephen’s, children have been baptised in the original Gothic baptismal font from 1330 again.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.