The Burcht van Leiden is an old shell keep in Leiden constructed in the 11th century. It is located at the spot where two tributaries of the Rhine come together, the Leidse Rijn, and another river, now a canal. The structure is on top of a motte, and is today a public park.
From humble beginnings, the hill was raised during various periods of history up to 9 meters above the surrounding landscape in the 11th century. Ada van Holland used the keep as a residence until her father died in 1203 and she was captured by her uncle. In the same year the previous stone building was rebuilt after an attack on the castle, with tuff stone, and after Ada's removal, in 1204 it was attacked again and rebuilt with brick.
Later in the 13th century the building was considered antiquated, since more and more townspeople and houses were built around the base of the hill, making defenses impossible without destroying most of the city. The old 'interior keep' that had been built against the interior walls (a similar ronded keep construction can still be seen in Teylingen) was slowly dismantled and reused for city construction.
As the city of Leiden grew around it in the 13th and 14th centuries, the ruined castle lost its military function. The location became a romantic patriotic symbol after the Siege of Leiden in 1574. In 1651 the city bought the premises to make it into a water tower for public use. A system of waterpipes leading to squares in the city is still intact. In this period a new portal on the keep wall was designed in 1662 with heraldric symbols by Rombout Verhulst, denoting the leading families of the city. There are two other gates to the Burcht, one at the base of the hill with wrought iron heraldric weapons, built in 1653, and one on the south side of the complex, which itself forms a gateway to the park.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.