The Château de Septfontaines was built in 1783–1784 by Jean-François and Pierre-Joseph Boch, who had opened their nearby porcelain factory in 1767, when Luxembourg was part of the Austrian Netherlands. The brothers had chosen Rollingergrund for their factory, as it offered all that was needed: clay, water and wood for the ovens. It was designed so that both their families could live there, which explains why the first floor is divided into two separate sections for the bedrooms, while the rooms on the ground floor, including the dining room and lounge, could be used by both families.
The castle was once occupied by French troops and was sold in 1914. After Luitwin von Boch had acquired it once again in 1970 in the name of Villeroy & Boch, he charged his cousin Antoine de Schorlemer to undertake comprehensive renovation work which lasted a full 12 years.
The rooms now testify to the success of the Boch brothers. Porcelain of all shapes and sizes decorates the walls and the windows. In the dining room hangs a portrait of the Austrian empress Maria Theresa (1717–1780), who had allowed them to build their factory in Rollingergrund and who had freed them from taxation for the first ten years. Now available for business conferences and receptions, the building is still used by the management, partners and clients of Villeroy & Boch when they are in Luxembourg.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.