The Escher Museum (Escher in the Palace) is a museum featuring the works of the Dutch graphical artist M. C. Escher. The museum is housed in a former palace Lange Voorhout Palace dating from the 18th century. Queen Emma (Emma of Waldeck Pyrmont) bought the stately house in 1896. She used it as a winter palace from March 1901 till her death in March 1934. Four Dutch Queens used the palace for their business offices, till Queen Beatrix moved the office to Paleis Noordeinde, about 10 minutes walk from Escher in Het Paleis. In all the former 'Royal Rooms' first and second floor there are window shades with information about the interior in Emma's time. There are two rooms dedicated to Emma's period and often there are photo enlargements or other information about Queen Mother Emma on display besides the never-ending Escher exhibition.
The museum features a permanent display of a large number of woodcuts and lithographs by Escher, among them the world famous prints Air and Water, Belvedere and Waterfall. Escher in Het Paleis shows the early lovely Italian landscapes, the many mirror prints and a choice from the tesselation drawings, further the three versions of the Metamorphosis, from the first small one to the third of 7 meters. This one is shown in a circle. It underlines the new vision of the museum on the work of M.C. Escher.
The third floor of the museum is dedicated to the Optical Illusion, besides the famous Escher Room in which grownups seem to be smaller than their children one's eyes will be tricked by multiple interactive dispays.
In the rooms of the museum are fifteen chandeliers made by the Rotterdam artist Hans van Bentem. The artist designed these especially for the museum, with some references to the work of Escher and the Palace. In the ballroom, a star chandelier is endlessly reflected in the two mirrors. In other rooms there are chandeliers such as a shark, a skull, spiders, and a sea horse.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.