The Nieuwe Kerk was built in 1649 after the Great Church had become too small. Construction was completed in 1656. The church was designed by the architect Peter Noorwits, who was assisted by the painter and architect Bartholomeus van Bassen. The church is considered a highlight of the early Protestant church architecture in the Netherlands. Like many churches of that time was the New Church, a central building. Unlike other central building, the church is no simple circular or multifaceted plan but there is a space of two octagonal sections which are connected by a slightly smaller proportion in which the pulpit was prepared. The architecture of the church shows elements of both Renaissance and Classicism. Two church bells by Coenraat Wegewaert in 1656 hang in their original bell-chairs.
The church has an organ built by the Dutch organ builder Johannes Duyschot (1645-1725) in 1702. The construction has left most of the pipework and the cupboard. The organ was rebuilt in 1867 by one of the best organ builders of that time, the business of Christian Gottlieb Friedrich Witte. They adjusted the design of the organ to make it suitable for modern Romantic music.
The Nieuwe Kerk contains the tombs of the brothers De Witt and of the philosopher Spinoza. Spinoza's tomb is in the churchyard.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.