The Groote Kerk of St. James (15th and 16th centuries) has a fine vaulted interior, and contains some old stained glass, a carved wooden pulpit (1550), a large organ and interesting sepulchral monuments, and some escutcheons of the knights of the Golden Fleece, placed here after the chapter of 1456.
It is remarkable for its fine tower and chime of bells, and contains the cenotaph monument of Jacob van Wassenaer Obdam, designed by Cornelis Moninckx and sculpted by Bartholomeus Eggers in 1667, and the renaissance tomb of Gerrit van Assendelft (1487 - 1558).
The church's six-sided tower is one of the tallest in the Netherlands. There are 34 panels with shields and names of knights of the golden fleece. The mechanical clock has 15 bells by M. de Haze in 1686, one by Jasper and Jan Moer from 1541, one from H. Van Trier from 1570, one by Coenraat Wegewaert from 1647, and one from C. Fremy from 1692 and 31 modern bells. In the church tower there is an automatic carillon by Libertus van den Burgh, from 1689.
The church endured a fire in 1539, and the stained glass windows were repaired by leading glass artists, including the brothers Dirk and Wouter Crabeth of Gouda. Charles V, Holy Roman Emperor, who visited the church after the fire, sponsored two windows by the Crabeth's that due to their royal origin are the only two windows that have survived up to the present day. Under one of these windows lies a commemorative stone from 1857 for Constantijn and Christiaan Huygens, who were buried in unmarked graves in the choir of the church.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.