St. John's Church was probably built in the first third of the 14th century as a three-nave basilica. The church was damaged in the Russian- Livonian War in the 16th century; lightning has set its spire on fire several times. Some parts of the church were destroyed in the Great Nordic War in 1708.
In the end of 19th century external walls of St. John's Church were cleaned of limewash, the original shape of the choir windows was restored and new external figures were made of instead of the destroyed ones. The building was reconstructed in the Neo-classicism style in 1930’s. During World War II, the church caught fire. The damage was so extensive that an unknown and rich interior decoration was discovered the beneath the destroyed plaster sheet. There have been over a thousand sculptures in the internal and external walls of the construction. There is no other brick church decorated with so much terracotta plastic in Europe.
There are fifteen figures in the triple arch niches of the fronton which represent Judgement Day. On the facade and two sides of the tower there are other figures since the tower's frieze consisting of quaternion foils with a human head continuing in each quaternor foil on the sides of the longitudinal building as well. There are friezes and niches decorated with sculptures in the interior as well.
However, the western wall, with numerous niches with sculptures and pseudotriforium located above the arcades in the niches of which there are figures sitting on a throne, deserves special attention. In the eastern wall, above the triumphal arch, there is a large terracotta group: Christ on a cross and Mary and John beneath the cross.
Reference: Tartu Tourist Information
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.