Kežmarok Castle dates from 1463. It was built for the defence the town on the site of the medieval community of Svätá Alžbeta (St. Elisabeth). The original castle was built in the Gothic style with thick walls and massive bastions. The castle gained its contemporary Renaissance form after extensive rebuilding which proceeded in various stages in the years 1572, 1575, 1583, and 1624. The last phase was completed by Šebastián Thököly, the founder of the famous family, who invited renowned Italian stonemasons, bricklayers and painters to change the original stronghold into a representative family mansion. The buildings in the castle courtyard were equipped with Renaissance arcades, its sumptuous halls were adorned with wall paintings, and the interior of the castle chapel was renewed in the Early-Baroque style.
Curiosity and courage were properties the noble Princess Beata Laská of Kežmarok Castle certainly possessed. Otherwise she would never have set out on a trip accompanied by several burghers from Kežmarok to the not too distant Snow Mountains (today called the Tatras) in 1565. When the princess returned three days later, after having visited Zelené pleso lake, her angry husband was waiting for her at the gate of the castle. He decided to have the Princess interned in the strongest tower where she passed six long years in extremely hard conditions. The only relief for the unfortunate princess was that the tower had two small windows, one overlooking her beloved Snow Mountains, and the other through which she was given food.
In 1931, the first exposition of the regional Museum of Kežmarok was opened in a part of the castle compound. After general repairs to the castle that took place in the years 1962-1985, its collections were expanded. Visitors can see many expositions and theatre performances in summer nights at the Castle.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.