Père Lachaise Cemetery is the largest cemetery in Paris city. The cemetery takes its name from the confessor to Louis XIV, Père François de la Chaise (1624–1709), who lived in the Jesuit house rebuilt in 1682 on the site of the chapel. The property, situated on the hillside from which the king watched skirmishing between the Condé and Turenne during the Fronde, was bought by the city in 1804. Established by Napoleon in this year, the cemetery was laid out by Alexandre-Théodore Brongniart and later extended.
Père Lachaise Cemetery was opened on 21 May 1804. The first person buried there was a five-year-old girl named Adélaïde Paillard de Villeneuve, the daughter of a door bell-boy of the Faubourg St. Antoine. Her grave no longer exists as the plot was a temporary concession. Napoleon, who had been proclaimed Emperor by the Senate three days earlier, had declared during the Consulate that 'Every citizen has the right to be buried regardless of race or religion'.
At the time of its opening, the cemetery was considered to be situated too far from the city and attracted few funerals. Moreover, many Roman Catholics refused to have their graves in a place that had not been blessed by the Church. In 1804, the Père Lachaise had contained only 13 graves. Consequently, the administrators devised a marketing strategy and in 1804, with great fanfare, organised the transfer of the remains of Jean de La Fontaine and Molière. The following year there were 44 burials, with 49 in 1806, 62 in 1807 and 833 in 1812. Then, in another great spectacle in 1817, the purported remains of Pierre Abélard and Héloïse d'Argenteuil were also transferred to the cemetery with their monument's canopy made from fragments of the abbey of Nogent-sur-Seine.
This strategy achieved its desired effect: people began clamouring to be buried among the famous citizens. Records show that, within a few years, Père Lachaise went from containing a few dozen permanent residents to more than 33,000 in 1830. Père Lachaise was expanded five times: in 1824, 1829, 1832, 1842 and 1850. Although some sources incorrectly estimate the number of interred as 300,000 in Père Lachaise, according to official website of the city of Paris, one million people have been buried there. Along with the stored remains in the Aux Morts ossuary, the number of human remains exceeds 2–3 million.
The Communards' Wall (Mur des Fédérés) is also located in the cemetery. This is the site where 147 Communards, the last defenders of the workers' district of Belleville, were shot on 28 May 1871 – the last day of the 'Bloody Week' (Semaine Sanglante) in which the Paris Commune was crushed.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.