The Great dolmen of Dwasieden is a megalithic site of the Funnelbeaker culture, which was constructed between 3500 and 2800 BC.
The dolmen lies in a roughly northeast-southwest oriented, trapezoidal hunebed about 35 metres long and 12.5 to 7.5 metres wide. Of the 54 kerb stones - including the four guardian stones - 41 have survived. The rectangular, roughly east-west oriented chamber at the wide end of the frame, with its western entrance and porch consists of seven supporting stones, a half stone the height of the uprights and five slabs, on which there are three large (on the chamber) and three small capstones. Only the central capstone of the chamber is missing. One of the four guardian stones at the southwest end, which had already been overturned in the past, has 40 cup marks, one of the kerb stones has three more. The site is a prime example of the porch dolmen (Großdolmen mit Windfang), typical of this region. A two-metre-long porch runs past the support-high half stone to the 4.0 metre long, 1.7 metre wide and 1.4 metre high chamber. The hall consists of red sandstone slabs, annealed flint and a clay floor.
Neither human bones nor cremated remains were found, but it has been established that it was later used by members of the Globular Amphora culture. The artefacts found include 1,777 shards, the largest amount of pottery in a site in Mecklenburg-Western Pomerania. There were also 19 blades, eleven amber beads, eight cups, six crosscutters, six scrapers, five biconical vessels, five bowls, two funnel bowls, a scraper (Schaber), a hammerstone and a narrow chisel.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.