St. Stephen's Basilica is a Roman Catholic basilica named in honour of Stephen, the first King of Hungary (c. 975–1038), whose supposed right hand is housed in the reliquary. It was the sixth largest church building in Hungary before 1920. Today, it is the third largest church building in present-day Hungary.
The basilica was completed in 1905 after 54 years of construction, according to the plans of Miklós Ybl, and was completed by József Kauser. Much of this delay can be attributed to the collapse of the dome in 1868 which required complete demolition of the completed works and rebuilding from the ground up.
The architectural style is Neo-Classical; it has a Greek cross ground plan. The façade is anchored by two large bell towers. In the southern tower is Hungary's biggest bell, weighing over 9 tonnes. Its predecessor had a weight of almost 8 tonnes, but it was used for military purposes during World War II. Visitors may access the dome by elevators or by climbing 364 stairs for a 360° view overlooking Budapest.
At first, the building was supposed to be named after Saint Leopold, the patron saint of Austria, but the plan was changed in the very last minute, so it became St. Stephen's Basilica.
The Saint Stephen Basilica has played an active role in the musical community since its consecration in 1905. The head organists of the church have always been very highly regarded musicians. In the past century the Basilica has been home to choral music, classical music as well as contemporary musical performances. The Basilica choir performs often in different parts of Europe as well as at home. In the summer months they perform every Sunday. During these months you can see performances from many distinguished Hungarian and foreign organ players alike.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.