Matthias Church is a Roman Catholic church located in front of the Fisherman's Bastion at the heart of Buda's Castle District. According to church tradition, it was originally built in Romanesque style in 1015, although no archaeological remains exist. The current building was constructed in the florid late Gothic style in the second half of the 14th century and was extensively restored in the late 19th century. It was the second largest church of medieval Buda and the seventh largest church of medieval Hungarian Kingdom.
The first church on the site was founded by Saint Stephen, King of Hungary in 1015. This building was destroyed in 1241 by the Mongols; the current building was constructed in the latter half of the 13th century. Originally named after the Virgin Mary, taking names such as 'The Church of Mary' and 'The Church of Our Lady,' Matthias Church was named after King Matthias in the 19th Century, who ordered the transformation of its original southern tower.
The church was the scene of several coronations, including that of Charles IV in 1916 (the last Habsburg king). During the century and a half of Turkish occupation, the vast majority of its ecclesiastical treasures were shipped to Pressburg (present day Bratislava) and following the capture of Buda in 1541 the church became the city's main mosque. Ornate frescoes that previously adorned the walls of the building were whitewashed and interior furnishings stripped out.
The church was also the location of the 'Mary-wonder.' In 1686 during the siege of Buda by the Holy League a wall of the church collapsed due to cannon fire. It turned out that an old votive Madonna statue was hidden behind the wall. As the sculpture of the Virgin Mary appeared before the praying Muslims, the morale of the garrison collapsed and the city fell on the same day.
Although following Turkish expulsion in 1686 an attempt was made to restore the church in the Baroque style, historical evidence shows that the work was largely unsatisfactory. It was not until the great architectural boom towards the end of the 19th century that the building regained much of its former splendour. The architect responsible for this work undertaken in 1873-96 was Frigyes Schulek.
The church was restored to its original 13th century plan but a number of early original Gothic elements were uncovered. By also adding new motifs of his own (such as the diamond pattern roof tiles and gargoyles laden spire) Schulek ensured that the work, when finished, would be highly controversial.
During World War II the church was badly damaged. Matthias Church was used as a camp by the Germans and Soviets in 1944-1945 during the Soviet occupation of Hungary. The church was largely renovated between 1950-1970 with funding from the Hungarian government. The bell tower was restored, along with renovation of interior paints and frescos. The five-manual organ, which had been destroyed during the war, was updated and sanctified in 1984.
Matthias Church is a home to the Ecclesiastical Art museum which begins in the medieval crypt and leads up to the St. Stephen Chapel. The gallery contains a number of sacred relics and medieval stone carvings, along with replicas of the Hungarian royal crown and coronation jewels.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.