Krakus Mound is thought to be the resting place of Krakow's mythical founder, the legendary King Krakus. It has the base diameter of 60 metres and the height of 16 metres. Together with nearby Wanda Mound, it is one of Krakow's two prehistoric mounds, and the oldest man-made structure in Krakow. Nearby are also two other non-prehistoric, man-made mounds, Kościuszko Mound, constructed in 1823, and Piłsudski's Mound, completed in 1937.
The age and the original purpose of the mound remain a mystery, although religious and memorial purposes have been ascribed to the mounds. Excavations conducted in mid-1930s revealed that the mound consists of a solid wooden core covered with soil and turf. Some artifacts dating from between the 8th and 10th centuries were found inside, but no human remains or bones were discovered. According to another hypothesis the mound is of Celtic origin and dates from the 2nd-1st century BCE. Mythical origins are also connected to the mound. Krakus is said to have been constructed to honour the death of King Krakus when mourning townspeople filled their sleeves with sand and dirt and brought it to the site of the Krakus Mound to create a mountain that would rule over the rest of the landscape, as King Krakus had. Originally, four smaller mounds ringed the Krakus Mound, but they were demolished in the 19th century to create Krakow's city wall.
Similar to other ancient structures, such as Stonehenge, the Krakus Mound may have been constructed with astronomy in mind. If one stands on the Krakus Mound and looks towards Wanda Mound at sunrise on the morning of Beltane, the second-largest Celtic feast day, one will see the sun rise directly over Wanda Mound.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.