The history of the Royal Castle goes back to the 14th century when the Great Tower was erected. In the 16th and 17th centuries during the reign of Sigismund III Vasa, the Castle underwent large-scale expansion and was transformed into a five-winged edifice with an inner courtyard. It was a royal residence, the place where parliamentary deliberations were held and the administrative and cultural centre of the country.
Destroyed in the mid-17th century during the Swedish Wars, it gradually regained its former magnificence during the reign of the Saxon-Wettin dynasty.
In the second half of the 18th century, artists in the employ of Stanislaus Augustus (Jan Christian Kamsetzer, Marcello Bacciarelli, Domenico Merlini) reconstructed the interiors of the chambers, comprising the Great Apartment and the King's Apartment.
During the period of the partitions of Poland (in the 19th century) the major part of the collections of the last Polish king ended up in Russia. After Poland regained its independence, some of the works of art were reinstated to their rightful place in the Castle.
In September 1939 the Castle was bombed by the Germans; however museologists, under the leadership of Professor Stanisław Lorentz, managed to salvage some elements of the interiors and also some of the works of art.
In September 1944 the Castle was blown up by the Germany army.
In the years 1945-1970, the Communist authorities delayed making a decision on whether to rebuild the Castle. The decision to do so was taken in 1971. Funds for the rebuilding of the Castle which took until 1980 were provided thanks to the dedication of the community.
In 1984 the reconstructed interiors were opened to the general public.
Since 1995 work has been undertaken on the conservation of the Kubicki Arcades and the reconstruction of the gardens. Once these works are completed, and the Tin-Roofed Palace refurbished, the rebuilding of the Royal Castle complex will have been finalized.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.