The Church of the Holy Cross is one of the most notable Baroque churches in Poland's capital. As early as the 15th century, a small wooden chapel of the Holy Cross had been erected here. In 1526 the chapel was demolished, and a newer church was erected. Refurbished and extended by Paweł Zembrzuski in 1615, the church was too small to fill the needs of the growing city. Initially located well outside the city limits, by the 17th century it had become one of the main churches in the southern suburb (przedmieście) of the city that had in 1596 become Poland's capital.
In 1653 Queen Marie Louise Gonzaga gave the church to the French order of Missionary Friars of Vincent de Paul. However, three years later Warsaw was captured by Swedish armies during the Deluge. Pillaged, the church was found to be damaged beyond repair. During the reign of King John III Sobieski the church's remnants were demolished, and it was decided to erect a new shrine. In the 18th century this became the origin of the gorzkie żale tradition.
The main building was constructed between 1679 and 1696. Its main designer was Józef Szymon Bellotti, the royal architect at the Royal Court of Poland. It was financed by abbot Kazimierz Szczuka and the Primate of Poland Michał Stefan Radziejowski. The façade was relatively modest and reminded of Renaissance facades of the nearby churches. The two towers surrounding the façade were initially square-cut. Between 1725 and 1737 two late Baroque headpieces by Józef Fontana. The façade itself was refurbished by Fontana's son, Jakub (in 1756) and ornamented with sculptures by Jan Jerzy Plersch.
From 1765 the church was one of the most attended by Polish King Stanisław II Augustus. It was also there that the King established the Order of St. Stanisław and bestowed it upon loyal servants annually on May 8. On May 3, 1792, the Polish Diet gathered there on the first anniversary of the May 3rd Constitution. During the Warsaw Uprising of 1794, the stairs leading to the main entrance were destroyed and had to be replaced with new ones designed by Chrystian Piotr Aigner.
During the Partitions, the church gained much importance, especially after the 1861 demonstration held before it, which was brutally put down by Russian Cossack troops — sparking the January 1863 Uprising.
On Christmas Day 1881, an outbreak of panic following a false alarm of fire in the crowded church caused the stampede deaths of twenty-nine persons. Jews were blamed for starting the panic, and the Warsaw pogrom of 1881 ensued.
In the late 19th century the church interior was slightly refurbished, and in 1882 an urn containing the heart of Frédéric Chopin was immured in a pillar. Some decades later, a similar urn was added with the heart of Władysław Reymont. In 1889 the external staircase leading to the main entrance was reconstructed, and a sculpture of Christ Bearing His Cross by Pius Weloński was added.
During the 1944 Warsaw Uprising, the church was severely damaged. On 6 September 1944, when the Germans detonated two large Goliath tracked mines in the church (they usually carried 75–100 kg of high explosives) the facade was destroyed, together with many Baroque furnishings, the vaulting, the high altar, and side altars. Afterward the church was blown up by the Germans in January 1945.
Between 1945 and 1953, the church was rebuilt in a simplified architectural form by B. Zborowski. The interior was reconstructed without the Baroque polychromes and frescos. The main altar was reconstructed between 1960 and 1972.References:
Seville's cathedral, Santa Maria de la Sede, is the largest Gothic cathedral in the world, and is recognised as UNESCO World Heritage. After its completion in the early 16th century, Seville Cathedral supplanted Hagia Sophia as the largest cathedral in the world, a title the Byzantine church had held for nearly a thousand years.
The basilica occupies the site of the great Aljama mosque, built in the late 12th century by the Almohads, the ruling Moorish dynasty, of which the only remaining parts are the Patio de Naranjas, the Puerta del Perdon (on Calle Alemanes, on the north side), and the Giralda (formerly the minaret, now the belltower).
Shortly after Seville's conquest by Ferdinand III, the mosque was converted into the city's cathedral. Its orientation was changed and its spaces partitioned and adorned to suit Christian worship practices. The internal space was gradually divided into chapels by constructing walls in the bays along the northern and southern walls. Almost the entire eastern half of the cathedral was occupied by the royal chapel that would hold the bodies of Ferdinand, his wife and Alfonso the Wise.
In 1401, city leaders decided to build a new cathedral to replace the grand mosque that served as the cathedral until then. Construction continued until 1506. The clergy of the parish offered half their stipends to pay for architects, artists, stained glass artisans, masons, carvers, craftsman and labourers and other expenses. Five years after construction ended, in 1511, the crossing lantern, or cimborrio, collapsed and work on the cathedral recommenced. The crossing again collapsed in 1888 due an earthquake, and work on the dome continued until at least 1903.
The interior has the longest nave of any cathedral in Spain. The central nave rises to a height of 42 metres. In the main body of the cathedral, the most noticeable features are the great boxlike choir loft, which fills the central portion of the nave, and the vast Gothic retablo of carved scenes from the life of Christ. This altarpiece was the lifetime work of a single craftsman, Pierre Dancart.
The Capilla Mayor (Great Chapel), dominated by a vast Gothic retablo (altarpiece) comprised of 45 carved scenes from the life of Christ, as well as Santa Maria de la Sede, the cathedral's patron saint. The lifetime's work of a single craftsman, Pierre Dancart, this is the ultimate masterpiece of the cathedral - the largest and richest altarpiece in the world and one of the finest examples of Gothic woodcarving anywhere.
The Giralda is the bell tower of the Cathedral of Seville. Its height is 105 m. The Giralda is the former minaret of the mosque that stood on the site under Muslim rule, and was built to resemble the minaret of the Koutoubia Mosque in Marrakech, Morocco. It was converted into a bell tower for the cathedral after the Reconquista, although the topmost section dates from the Renaissance.
The tomb of Christopher Columbus is one of the main attractions of the cathedral for visitors, housing the remains of the great explorer who died in poverty in Valladolid. The tomb itself is more recent, from the 1892, with four bearers presenting the kingdoms of Castile, Leon, Aragon and Navarra.