The Church of the Holy Cross is one of the most notable Baroque churches in Poland's capital. As early as the 15th century, a small wooden chapel of the Holy Cross had been erected here. In 1526 the chapel was demolished, and a newer church was erected. Refurbished and extended by Paweł Zembrzuski in 1615, the church was too small to fill the needs of the growing city. Initially located well outside the city limits, by the 17th century it had become one of the main churches in the southern suburb (przedmieście) of the city that had in 1596 become Poland's capital.
In 1653 Queen Marie Louise Gonzaga gave the church to the French order of Missionary Friars of Vincent de Paul. However, three years later Warsaw was captured by Swedish armies during the Deluge. Pillaged, the church was found to be damaged beyond repair. During the reign of King John III Sobieski the church's remnants were demolished, and it was decided to erect a new shrine. In the 18th century this became the origin of the gorzkie żale tradition.
The main building was constructed between 1679 and 1696. Its main designer was Józef Szymon Bellotti, the royal architect at the Royal Court of Poland. It was financed by abbot Kazimierz Szczuka and the Primate of Poland Michał Stefan Radziejowski. The façade was relatively modest and reminded of Renaissance facades of the nearby churches. The two towers surrounding the façade were initially square-cut. Between 1725 and 1737 two late Baroque headpieces by Józef Fontana. The façade itself was refurbished by Fontana's son, Jakub (in 1756) and ornamented with sculptures by Jan Jerzy Plersch.
From 1765 the church was one of the most attended by Polish King Stanisław II Augustus. It was also there that the King established the Order of St. Stanisław and bestowed it upon loyal servants annually on May 8. On May 3, 1792, the Polish Diet gathered there on the first anniversary of the May 3rd Constitution. During the Warsaw Uprising of 1794, the stairs leading to the main entrance were destroyed and had to be replaced with new ones designed by Chrystian Piotr Aigner.
During the Partitions, the church gained much importance, especially after the 1861 demonstration held before it, which was brutally put down by Russian Cossack troops — sparking the January 1863 Uprising.
On Christmas Day 1881, an outbreak of panic following a false alarm of fire in the crowded church caused the stampede deaths of twenty-nine persons. Jews were blamed for starting the panic, and the Warsaw pogrom of 1881 ensued.
In the late 19th century the church interior was slightly refurbished, and in 1882 an urn containing the heart of Frédéric Chopin was immured in a pillar. Some decades later, a similar urn was added with the heart of Władysław Reymont. In 1889 the external staircase leading to the main entrance was reconstructed, and a sculpture of Christ Bearing His Cross by Pius Weloński was added.
During the 1944 Warsaw Uprising, the church was severely damaged. On 6 September 1944, when the Germans detonated two large Goliath tracked mines in the church (they usually carried 75–100 kg of high explosives) the facade was destroyed, together with many Baroque furnishings, the vaulting, the high altar, and side altars. Afterward the church was blown up by the Germans in January 1945.
Between 1945 and 1953, the church was rebuilt in a simplified architectural form by B. Zborowski. The interior was reconstructed without the Baroque polychromes and frescos. The main altar was reconstructed between 1960 and 1972.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.