During the Warsaw Uprising in August 1944, more than 85% of Warsaw's historic centre was destroyed by Nazi troops. After the war, a five-year reconstruction campaign by its citizens resulted in today's meticulous restoration of the Old Town, with its churches, palaces and market-place. It is an outstanding example of a near-total reconstruction of a span of history covering the 13th to the 20th century.
From these ruins, between 1945 and 1966, the will of the nation brought to life again a city of which 85% had been destroyed. The reconstruction of the historic centre so that it is identical with the original symbolizes the will to ensure the survival of one of the prime settings of Polish culture and illustrates, in an exemplary fashion, the restoration techniques of the second half of the 20th century. The reconstruction of religious edifices such as the Cathedral of St John, the churches of Our Lady, St James and the Holy Trinity, and the palace, was accompanied by the integral restitution of the urban whole, with its full land allotment and its reconstruction. The example of the market place of the Old City is justifiably famous.
Warsaw Old Town was established in the 13th century. The heart of the area is the Old Town Market Square: until the end of the 18th century the square was the most important place in Warsaw; regular fairs and festivities were held here. During the Second World War the square was turned into rubble, but after many years of reconstruction it was restored to its original beauty. Surrounding streets feature old architecture such as the City Walls and the Barbican. The Cathedral of St John, completed in the 15th century, was originally a parish church and only became a cathedral in 1798. During the war it was destroyed but it has been restored to its original Gothic style. The interior of the cathedral features many works of religious art, tombs and various sculptures and paintings.
Almost every building in the Old Town, a blend of different styles from Gothic to Baroque, is old and of a unique architectural style. Among the other attractive historic structures are the many churches, the Barbican, the City Walls, Fukier House, Pelican House, Pod Blacha Palace and Salvator House.
Warsaw's Old Town has been placed on the UNESCO's list of World Heritage Sites as 'an outstanding example of a near-total reconstruction of a span of history covering the 13th to the 20th century.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.