St. John's Archcathedral in Warsaw stands immediately adjacent to Warsaw's Jesuit church, and is one of the oldest churches in the city. St. John's Archcathedral is one of Poland's national pantheons. Along with the city, the church has been listed by UNESCO as of cultural significance.
Originally built in the 14th century in Masovian Gothic style, the Cathedral served as a coronation and burial site for numerous Dukes of Masovia. The Archcathedral was connected with the Royal Castle by an elevated 80-meter-long corridor that had been built by Queen Anna Jagiellonka in the late 16th century and extended in the 1620s after Michał Piekarski's failed 1620 attempt to assassinate King of Poland Sigismund III in front of the Cathedral.
After the resolution of the Constitution of May 3, 1791, at the end of the session at the Royal Castle, King Stanisław August Poniatowski went to the Cathedral of St. John to repeat the Oath of the Constitution in front of the Altar, in the face of God. Also the Marshals of the Great Sejm were carried to the Archcathedral on the shoulders of the enthusiastic deputies of the Sejm.
The church was rebuilt several times, most notably in the 19th century, it was preserved until World War II as an example of English Gothic Revival.
In 1944, during the Warsaw Uprising the Cathedral was a place of struggle between insurgents and advancing German army. The Germans managed to induct a tank loaded with explosives into the Cathedral, a huge explosion destroyed large part of the building. After the collapse of the Uprising, German Vernichtungskommando (Destruction Detachment) drilled holes into the walls for explosives and blew up the Cathedral destroying 90% of its walls.
Leveled during the Warsaw Uprising (August–October 1944), it was rebuilt after the war. The exterior reconstruction is based on the 14th-century church's presumed appearance (according to an early-17th-century Hogenberg illustration and a 1627 Abraham Boot drawing), not on its prewar appearance.
The interior reconstruction design considerably differed from the pre-war Cathedral, taking it back in time to its raw Gothic look, because very little of the cathedral's original furnishings has been preserved. The Cathedral is a three-nave building, two aisles are the same height as the main nave. On the right side from the front a belfry is situated, a passage to Dziekania Street is situated underneath it. There is a pulpit from 1959, designed by Józef Trenarowski and stalls which are a replica of the destroyed baroque ones, founded by King John III Sobieski. Moreover, there are many chapels, gravestones and epitaphs in the Cathedral. By the left aisle are numerous chapels. They are, in turn, from the main altar:
The crypts beneath the main aisle hold the remains of notable persons, including Dukes of Masovia and King Stanisław August Poniatowski, the last Polish monarch.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.