The history of the Royal Castle goes back to the 14th century when the Great Tower was erected. In the 16th and 17th centuries during the reign of Sigismund III Vasa, the Castle underwent large-scale expansion and was transformed into a five-winged edifice with an inner courtyard. It was a royal residence, the place where parliamentary deliberations were held and the administrative and cultural centre of the country.
Destroyed in the mid-17th century during the Swedish Wars, it gradually regained its former magnificence during the reign of the Saxon-Wettin dynasty.
In the second half of the 18th century, artists in the employ of Stanislaus Augustus (Jan Christian Kamsetzer, Marcello Bacciarelli, Domenico Merlini) reconstructed the interiors of the chambers, comprising the Great Apartment and the King's Apartment.
During the period of the partitions of Poland (in the 19th century) the major part of the collections of the last Polish king ended up in Russia. After Poland regained its independence, some of the works of art were reinstated to their rightful place in the Castle.
In September 1939 the Castle was bombed by the Germans; however museologists, under the leadership of Professor Stanisław Lorentz, managed to salvage some elements of the interiors and also some of the works of art.
In September 1944 the Castle was blown up by the Germany army.
In the years 1945-1970, the Communist authorities delayed making a decision on whether to rebuild the Castle. The decision to do so was taken in 1971. Funds for the rebuilding of the Castle which took until 1980 were provided thanks to the dedication of the community.
In 1984 the reconstructed interiors were opened to the general public.
Since 1995 work has been undertaken on the conservation of the Kubicki Arcades and the reconstruction of the gardens. Once these works are completed, and the Tin-Roofed Palace refurbished, the rebuilding of the Royal Castle complex will have been finalized.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.