The history of the Royal Castle goes back to the 14th century when the Great Tower was erected. In the 16th and 17th centuries during the reign of Sigismund III Vasa, the Castle underwent large-scale expansion and was transformed into a five-winged edifice with an inner courtyard. It was a royal residence, the place where parliamentary deliberations were held and the administrative and cultural centre of the country.
Destroyed in the mid-17th century during the Swedish Wars, it gradually regained its former magnificence during the reign of the Saxon-Wettin dynasty.
In the second half of the 18th century, artists in the employ of Stanislaus Augustus (Jan Christian Kamsetzer, Marcello Bacciarelli, Domenico Merlini) reconstructed the interiors of the chambers, comprising the Great Apartment and the King's Apartment.
During the period of the partitions of Poland (in the 19th century) the major part of the collections of the last Polish king ended up in Russia. After Poland regained its independence, some of the works of art were reinstated to their rightful place in the Castle.
In September 1939 the Castle was bombed by the Germans; however museologists, under the leadership of Professor Stanisław Lorentz, managed to salvage some elements of the interiors and also some of the works of art.
In September 1944 the Castle was blown up by the Germany army.
In the years 1945-1970, the Communist authorities delayed making a decision on whether to rebuild the Castle. The decision to do so was taken in 1971. Funds for the rebuilding of the Castle which took until 1980 were provided thanks to the dedication of the community.
In 1984 the reconstructed interiors were opened to the general public.
Since 1995 work has been undertaken on the conservation of the Kubicki Arcades and the reconstruction of the gardens. Once these works are completed, and the Tin-Roofed Palace refurbished, the rebuilding of the Royal Castle complex will have been finalized.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.