Ostrogski Palace site was bought by Prince Janusz Ostrogski in early 17th century. As the area had been still a suburb of Warsaw and exempted from the laws of the city which prevented the inhabitants from building private fortifications, Ostrogski decided to build a small castle there. For that he financed a bastion on which the manor was to be constructed. However, it was not until after his death that the manor itself was started. Designed by Tylman of Gameren, the palace built on top of the bastion was to become one of the wings of a huge future palace. However, it was never completed and was bought by deputy chancellor of the crown Jan Gniński, who turned it into his seat.
In 1725 the palace was bought by yet another magnate family, the Zamoyski, who made it a seat of their jurydyka. However, as the unfinished manor lacked many features of an 18th-century magnate palace, it never served its original purpose and with time became neglected. Since 1778 it was divided onto small flats and started serving as a hostel for students, owned by Marcin Nikuta. Converted into a military hospital by the French in 1806, between 1812 and 1817 it was abandoned and gradually fell into disrepair. During the November Uprising it was bought by the Polish government and refurbished to become a military hospital once again. Turned over to civilian authorities in 1836, it continued to be a hospital until 1859, when it was bought by the Musical Institute. It was there that both Stanisław Moniuszko and Ignacy Jan Paderewski received their education. In late 19th century an additional story was added and in 1913 a new, much larger seat for the Institute was built adjacent to the palace.
Destroyed by the Germans in the effect of the Warsaw Uprising of 1944, the building had been rebuilt by Mieczysław Kuzma between 1949 and 1954, while the ruins of the 1913 construction were demolished.
The Fryderyk Chopin Museum at the Fryderyk Chopin Society in Warsaw was established in the 1930s. At that time, thirteen valuable manuscripts were purchased from Ludwika Ciechomska, granddaughter of Ludwika Jędrzejewicz, Chopin's sister, and Bogusław Kraszewski. The creation of a Collection of Photographs, Recordings and a Library was started prior to 1939.
In 1945, the Fryderyk Chopin Institute opened again in Warsaw, and was housed at first in Zgoda Street and from 1953 in Ostrogski Castle. This was also the home of the Museum, Library and Collections of Photographs and Recordings. The museum covers the history and works Chopin, including original manuscripts and documents written by the composer, photographs and sculptures of him, letters, as well as hosting piano recitals and competitions of Chopin's works. The rich plafonds, stucco and Pompeian style frescoes are a fitting setting for the rooms of the Fryderyk Chopin Museum.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.