The Saint-Pierre-le-Jeune Protestant Church is one of the most important church buildings in Strasbourg. The church has been Lutheran since 1524 and its congregation forms part of the Protestant Church of Augsburg Confession of Alsace and Lorraine.
The oldest part of the church is the small lower church used as a burial crypt, which is the remains of a Columban church erected in the 7th century. Three of the four arched galleries of the cloister date from the 11th century, the fourth arched gallery is from the 14th century. The Gothic main building, with its numerous chapels and the lavish rib vault dates from the 14th century. There are many frescoes from this time and the following one-and-one-half centuries, memorial slabs and monuments, the baptismal font, the central painting of the high altar and the choir screen, now unique in Alsace, which have also been maintained.
In 1780, the now nationally famous choir organ of Johann Andreas Silbermann was built (restored in 1948 and 1966 according to the rules of the Organ reform movement). Helmut Walcha recorded a large part of his performances of Bach's organ works here. The pulpit also dates from the same century, as well as another altar.
Between 1897 and 1901, the church, which had fallen into disrepair, was fundamentally overhauled by the Karlsruhe architect Carl Schäfer, one of the most important representatives of neo-Gothic sacred architecture in Germany. At that time, the entrance was moved to the side and a new main portal was created, a copy of the northern entrance of the facade of the Strasbourg Cathedral. The cloisters were painted in polychrome, following the example of the Hortus Deliciarum. The life-sized baptismal angel statue, along with the chapel and the choir glass windows, also date from this time.
An organ built in 1762 by Johann Andreas Silbermann in the Catholic part of the two-part church of that time was transferred in 1865 to the St. Moriz Church of the parish of Soultz-les-Bains. There, it has been restored to its 1848 condition, a compromise between the original baroque Silbermann settings and the later Romantic tone and harmonic extensions, by the family of Alfred Kern & fils between 2006 and 2008.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.