Details
Founded: c. 730 ADCategory: Religious sites in Germany
Historical period: Part of The Frankish Empire (Germany)
User Reviews
Gengenbach Abbey was an Imperial Benedictine Abbey from the late Carolingian period to 1803. It was founded by Saint Pirmin (d. 735) sometime after his expulsion from Reichenau in 727 and settled by monks from Gorze Abbey. It enjoyed good relations with the Carolingian dynasty and soon became an Imperial abbey, with territorial independence. In 1007, however, Emperor Henry II presented it to his newly founded Prince-Bishopric of Bamberg.
Gengenbach was deeply embroiled in the Investiture Controversy and two of its abbots were driven out for supporting the Imperial rather than the Papal cause. Shortly after this, the abbey was involved by Abbot Theoger (1080–1139) of St. George's Abbey in the Black Forest and Bishop Otto of Bamberg in the Hirsauer Reform, during which the abbey church was demolished and rebuilt to the Hirsau model. Subsequently, it has been remodelled in the Gothic, Baroque and neo-Romanesque styles.
During the 13th and 14th centuries, the abbey was instrumental in developing the town of Gengenbach to economic maturity. The abbey avoided further monastic reforms, and although in danger of suppression during the Reformation, survived that too.
In 1575 and 1580, the abbey applied for membership of the Imperial College of Prelates but was refused, due to concern about its Imperial immediacy and Vogtei; membership was eventually approved in 1645 but this approval was not implemented until 1751. The abbey was mediatized in the wake of the German Mediatisation of 1803, and shortly afterwards its territories were absorbed into the state of Baden. However, the abbey was left to function under the last abbot until 1807 when the Grand Duke ordered it secularized.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.