Lauriston Castle is a 16th-century tower house with 19th-century extensions overlooking the Firth of Forth. The castle stood on this site in medieval times but was almost totally destroyed in the raids on Edinburgh in 1544 by the earl of Hertford.
A tower house was re-built around 1590 by Sir Archibald Napier of Merchiston, father of John Napier, for his younger son, also named Archibald. Later, it was the home of John Law (1671–1729), the economist, Right Hon. Andrew Lord Rutherfurd (1791–1854), and Thomas Macknight Crawfurd of Cartsburn and Lauriston Castle, 8th Baron of Cartsburn from 1871 to 1902. In 1827, Thomas Allan, a banker and mineralogist, commissioned William Burn (1789–1870) to extend the house in the Jacobean style.
William Robert Reid, proprietor of Morison & Co., an Edinburgh cabinetmaking business, acquired Lauriston Castle in 1902, installed modern plumbing and electricity, and he and his wife Margaret filled the house with a collection of fine furniture and artwork. The Reids, being childless, left their home to Scotland on the condition that it should be preserved unchanged. The City of Edinburgh has administered the house since Mrs Reid's death in 1926, which today offers a glimpse of Edwardian life in a Scottish country house.
In 1905, during one of its numerous refurbishments, a stone carving of an astrological horoscope was installed in the outer wall, on the southwest corner. The horoscope was reputedly done by John Napier for his brother. It can be seen in some pictures on the front wall, beneath the left-most stair tower, near the ground.
Lauriston Castle was originally a four-storey, stone L plan tower house, with a circular stair tower, with two storey angle turrets complete with gun loops. A Jacobean range was added in 1827, to convert it to a country manor. This was designed by the prominent architect William Burn.
The gardens at Lauriston include a notable Japanese garden of one hectare. The garden, built by Takashi Sawano, and dedicated as the Edinburgh-Kyoto Friendship Garden, opened in August 2002.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.