Duddingston Kirk is a Parish Church, located adjacent to Holyrood Park. The church was built in or around 1124 by Dodin, a Norman knight, on land granted to Kelso Abbey by King David I of Scotland. As originally built, the church consisted of the chancel, nave and square tower. The traditional pattern of an east-west axis was adopted. The original entrance on the south wall includes a particularly fine example of Scoto-Norman stone carving, with a round-topped doorway. Following the enlargement of the parish boundaries, the Prestonfield Aisle was added in 1631. This consists of a gallery, downstairs area and burial vaults were on the north side. In 1968 the church's interior was reconditioned, with the former pipe organ removed.
The entrance to the churchyard from Duddingston village is notable for its gatehouse, built as a lookout point to deter “bodysnatchers” in the early 19th century. The Edinburgh bodysnatchers, known as 'resurrectionists,' stole recently buried corpses to sell to anatomists, and, as in the notorious case of Burke and Hare, sometimes also resorted to murder.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.