Ardchattan Priory was established in 1230 or 1231 by an obscure order of monks from France, the Valliscaulians. They followed a strict form of monastic rule, with emphasis more on the ascetic religious life than on manual work. Houses were limited to no more than 20 brothers, and the monks’ livelihood depended on rents and teinds (tithes) from endowments. Their church, in common with all Valliscaulian houses, was dedicated to St Mary the Virgin and St John the Baptist.
The original priory was rebuilt in the 15th century, when the monks’ choir was extended and a new refectory (dining hall) constructed. Monastic life eventually came to an end with the Protestant Reformation of 1560. The buildings and endowments were appropriated by John Campbell, later bishop of the Isles, and have remained with the Clan Campbell ever since.
The priory was founded by Duncan MacDougall, Lord of Lorn and builder of Dunstaffnage Castle near Oban. At this time kings of Scotland and Norway were fighting for control of Argyll and the Inner Hebrides. Duncan may have invited the Valliscaulians to Ardchattan to ingratiate himself with the Scottish king, Alexander II. Alexander had recently established a monastery for this obscure order at Pluscarden, near Elgin. The Valliscaulians, whose mother house was in the Val des Choux in Burgundy, only ever set up daughter houses outside France in Germany and Scotland. The third Valliscaulian house in Scotland was Beauly, west of Inverness, founded by the Bisset family.
The priory was dominated by the MacDougalls throughout most of its existence. Indeed, by the end of the 15th century, the position of prior was monopolised by the family. But in 1506 the last MacDougall prior, Eugenius (Eogan), was deposed. The new prior, Duncan MacArthur, attempted in vain to revive the zeal of the founding brethren. In 1538 there were just six monks in residence, and by the Reformation in 1560 a mere three.
In 1602, Archibald Campbell, son of Bishop John Campbell, began the process of converting the old priory into a private house. While the church remained in use as the parish kirk until 1732, the monks’ cloister was converted into a house. The old refectory is still the family dining room.
Among the numerous fine grave markers and carved stones on display is the MacDougall Cross. Commissioned by Prior Eugenius MacDougall in 1500, it was carved by John Ó Brolchán, a stone-carver from Iona. It is one of the few examples of West Highland carving recording the sculptor’s name. The cross bears a crucifixion scene on one side and an image of the Virgin and Child on the other.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.