The Arenberg site had been the castle of the lords of Heverlee since the 12th century, but this family became impoverished and had to sell the site in 1445 to the Croÿ family from Picardy. Antoon van Croy demolished the medieval castle and started works to build the current château in 1455 on the site, of which he destroyed all but one tower. Willem van Croÿ completed the works on the château in 1515, and founded a monastery on the château grounds for the Benedictine Celestines. The architectural style is in large part traditionally Flemish, with sandstone window frames and brick walls, though it has been structurally altered since 1515 and has elements of Gothic, Renaissance and Neo Gothic architecture. Its large corner towers are typical, once surmounted by a German eagle.
Charles III of Croy was the 4th and last duke, and after his death in 1612 without issue the château passed to the Arenberg family into which his sister had married, and remained in that family until the First World War.
During the First World War, the château and grounds were occupied by the Germans and Austrians. The château and park were seized by the Belgian government on the outbreak of, and then after the war since the Arenberg family was considered to be German or Austrian due to their close Habsburg connection, monarchs of Austria-Hungary. It took until 1921 for the University to acquire them, becoming an expanded natural sciences and engineering campus in the style of that of an American university. After the partitioning of the university along language lines in 1968, the château and grounds remained with the Dutch speaking half as one of the main campuses for the new, independent Katholieke Universiteit Leuven. The château itself is the main building of the Faculty of Engineering and houses lecture rooms and studios for the Department of Architecture, Urbanism and Urban Planning, including the Post-Graduate Centre Human Settlements and the Raymond Lemaire International Centre for Conservation. The building is open to the public. The former Celestine monastery on the château grounds now houses the campus library, and the addresses of many of the science buildings are on the street named Celestijnenlaan (Dutch for 'Celestine Street').References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.