The Brusselpoort is the sole remaining city gate of the original twelve gates of the city of Mechelen. This imposing structure dates from the 13th century. Because of its exceptional height, towering above the other gates, it was also called the 'Overste poort' (superior gate). In the 16th century, the towers were lowered and the roof construction was altered to the present configuration. In the course of the centuries, the building had many different uses from police station to youth center, from duty collector's office to artist's workshop.

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Founded: 13th century
Category: Castles and fortifications in Belgium

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en.wikipedia.org

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User Reviews

Tamás Révész (2 years ago)
As good as an airport can be, but as a smoker person I am very disappointed how smoking is treated after a check-in. I know I should not and it is in public interest to force back this habit, but if you do smoke you should get as much as you can before check-in, and than don't look for the smoking area - It's the worst I've ever seen.
Enki Zeli (2 years ago)
My fave place
wicked scarab (3 years ago)
A place to spend 10 minutes
Haresh R (3 years ago)
Nice place to visit
Ramunė Vaičiulytė (3 years ago)
One of the twelve till nowadays survived town gates and it really looks nice!
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Royal Palace of Naples

Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.

Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.

In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.

During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.

In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.

The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.