St. Paul’s Catacombs are some of the most prominent features of Malta’s paleochristian archaeology. The archaeological clearing of the site has revealed an extensive system of underground galleries and tombs dated from the fourth to the ninth centuries AD. Two catacombs are open to the public, but these are only a small part of the entire St. Paul's and St. Agatha’s complex.
St. Paul’s catacombs are part of a large cemetery once located outside the walls of the ancient Greek city of Melite, now covered by the smaller Mdina and Rabat. It also comprises the catacombs of Saint Agatha, San Katald, St. Augustine and many others. The cemetery probably originated in the Phoenician-Punic period. Like in Roman tradition, Phoenician and Punic burials were located outside city walls. Many tombs discovered in areas outside the known line of the Roman city suggest that the city of Melite was close to equal size.
The early tombs consisted of a deep rectangular shaft with one or two chambers dug from its sides. This type of burial was used well into the Roman occupation of the islands, but the chambers grew larger and more regular in shape over time. It is probable that this enlargement joined neighboring tombs and led to the creation of small catacombs, which became the norm by the fourth century AD.
The site that is currently open to the public comprises two catacombs out of the 24 in the St Paul’s cluster. The main complex, covering an area of more than 2000 square metres, is so far the largest catacomb ever to be found on the island. It is large enough to have served as a communal burial ground in successive phases of Malta’s history. The two halls at the bottom of the entrance stairs show two agape tables (circular tables hewn out of the living rock and used for ceremonial meals commemorating dead relatives). One of the halls was transformed into an early church following the expulsion of Arab conquerors in the second century AD.
Although the complex contains almost all of the burial types found in the Maltese repertoire, the best represented are so-called baldacchino tombs. These free-standing, canopied burials dominate the main corridors of the complex; their four elegant arches and supporting pillars are exemplary. Other decorations within this catacomb include illustrations and written messages in red paint.
The second catacomb that can be visited is much smaller than the first. The surgical tools carved in relief on one of the three blocking stones in the inner chamber suggest that it was the burial place of a particular family or group of surgeons.
The catacombs of St. Paul illustrate the religious diversity of the Maltese islands during the Roman period. The 24 catacombs show evidence of Christian, Pagan and Jewish burials side-by-side and no visible divisions.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.