The New Town Hall (Neues Rathaus) hosts the Munich government including the city council, offices of the mayors and part of the administration. In 1874 the municipality had left the Old Town Hall for its new domicile.
The town hall was built between 1867 and 1908 by Georg von Hauberrisser in a Gothic Revival architecture style. It covers an area of 9159 m² having 400 rooms. The 100 meters long main facade towards the Marienplatz is richly decorated. It shows the Guelph Duke Henry the Lion, and almost the entire line of the Wittelsbach dynasty in Bavaria and is the largest princely cycle in a German town hall. The central monument in the center of the main facade between the two phases at Marienplatz above the guard house, is an equestrian statue of Prince Regent Luitpold. The bay of the tower contains statues of the first four Bavarian kings.
The main facade is placed toward the plaza, while the back side is adjacent to a small park (Marienhof). The basement is almost completely occupied by a large restaurant called Ratskeller. On the ground floor, some rooms are rented for small businesses. Also located in the ground floor is the major official tourist information.
The first floor hosts a big balcony towards the Marienplatz which is used for large festivals such as football championships or for concerts during the Weihnachtsmarkt. Its main tower has a height of 85 m and is available for visitors with an elevator. On the top thrones the Münchner Kindl. The Rathaus-Glockenspiel, performed by an apparatus daily at 11am, 12pm and 5pm, is a tourist attraction.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.