Berchtesgaden Castle dates from 1102 from the Augustin Collegiate. According to legend, Countess Irmgard von Sulzbach vowed to found the monastery as gratitude for saving her spouse after a serious hunting accident.
Throughout the ages, provosts and canons expanded the complex of buildings. Seen from today, it is a lucky circumstance that never enough money was available for tearing the place down. On the contrary, extensions have always been added in the style of the time. The Romanesque cloister has been built around 1180, followed around 1400 by the two-nave Gothic hall. Around 1500 two Renaissance halls were built on the southern side and the Baroque wing was added in 1725.
During the 14th century, the Augustin collegiate achieved imperial immediacy, which made it direct subordinate to the emperor. The provost became the territorial lord and the monastery premises became his residence. In 1559, the monastery was raised to the status of provostry.
After mediatisation (meaning lifting of the spiritual status) in 1803 and the concomitant end of provostal rule, the Land of Berchtesgaden came for short periods under different rules until, in 1810, it became part of the Kingdom of Bavaria. Since 1818, Berchtesgaden Castle has been used as hunting lodge by the kings of Bavaria. Crown Prince Rupprecht of Bavaria made it his residence and lived in it with his family from 1922 until 1933. The rich furnishing of the castle with works of art is due to him. To these days, the head of the House of Wittelsbach, Duke Franz of Bavaria, uses the castle as summer residence.
Many different style eras have set their stamp on Berchtesgaden Royal Castle: from Romanesque to Gothic and Baroque, right on to Rococo. Throughout the ages, at has been expanded and modified again and again. The cloister and its late Romanesque sculptures are evidence of the castle’s origins in the High Middle Ages. After 1818, the erstwhile monastery was used by the Wittelsbachs as hunting lodge. Crown Prince Rupprecht of Bavaria (1869-1955) lived here with his family from 1922 until 1933 and used many rooms for exhibiting items from the art collection of the Wittelsbachs. They include two retables by Tilman Riemenschneider of Rothenburg ob der Tauber and also valuable hunting weapons and trophies as well as, at 18 kilogrammes, the heaviest antlers of Bavaria. Precious furniture, exquisite porcelain and paintings by major artists, especially from the 'Munich School', make it all complete. The view from the Upper Rode Garden over the Watzmann is considered to be the most splendid in the entire valley.References:
The Old Town in Aarhus, Denmark (Den Gamle By), is an open-air town museum consisting of 75 historical buildings collected from 20 townships in all parts of the country. In 1914 the museum opened as the world's first open-air museum of its kind, concentrating on town culture rather than village culture, and to this day it remains one of just a few top rated Danish museums outside Copenhagen.
The museum buildings are organized into a small town of chiefly half-timbered structures originally erected between 1550 and the late 19th century in various parts of the country and later moved to Aarhus during the 20th century. In all there are some 27 rooms, chambers or kitchens, 34 workshops, 10 groceries or shops, 5 historical gardens, a post office, a customs office, a school and a theatre.
The town itself is the main attraction but most buildings are open for visitors; rooms are either decorated in the original historical style or organized into larger exhibits of which there are 5 regular with varying themes. There are several groceries, diners and workshops spread throughout the town with museum staff working in the roles of town figures i.e. merchant, blacksmith etc. adding to the illusion of a 'living' town.