Berchtesgaden Castle dates from 1102 from the Augustin Collegiate. According to legend, Countess Irmgard von Sulzbach vowed to found the monastery as gratitude for saving her spouse after a serious hunting accident.
Throughout the ages, provosts and canons expanded the complex of buildings. Seen from today, it is a lucky circumstance that never enough money was available for tearing the place down. On the contrary, extensions have always been added in the style of the time. The Romanesque cloister has been built around 1180, followed around 1400 by the two-nave Gothic hall. Around 1500 two Renaissance halls were built on the southern side and the Baroque wing was added in 1725.
During the 14th century, the Augustin collegiate achieved imperial immediacy, which made it direct subordinate to the emperor. The provost became the territorial lord and the monastery premises became his residence. In 1559, the monastery was raised to the status of provostry.
After mediatisation (meaning lifting of the spiritual status) in 1803 and the concomitant end of provostal rule, the Land of Berchtesgaden came for short periods under different rules until, in 1810, it became part of the Kingdom of Bavaria. Since 1818, Berchtesgaden Castle has been used as hunting lodge by the kings of Bavaria. Crown Prince Rupprecht of Bavaria made it his residence and lived in it with his family from 1922 until 1933. The rich furnishing of the castle with works of art is due to him. To these days, the head of the House of Wittelsbach, Duke Franz of Bavaria, uses the castle as summer residence.
Many different style eras have set their stamp on Berchtesgaden Royal Castle: from Romanesque to Gothic and Baroque, right on to Rococo. Throughout the ages, at has been expanded and modified again and again. The cloister and its late Romanesque sculptures are evidence of the castle’s origins in the High Middle Ages. After 1818, the erstwhile monastery was used by the Wittelsbachs as hunting lodge. Crown Prince Rupprecht of Bavaria (1869-1955) lived here with his family from 1922 until 1933 and used many rooms for exhibiting items from the art collection of the Wittelsbachs. They include two retables by Tilman Riemenschneider of Rothenburg ob der Tauber and also valuable hunting weapons and trophies as well as, at 18 kilogrammes, the heaviest antlers of Bavaria. Precious furniture, exquisite porcelain and paintings by major artists, especially from the 'Munich School', make it all complete. The view from the Upper Rode Garden over the Watzmann is considered to be the most splendid in the entire valley.References:
The Baths of Caracalla were the second largest Roman public baths, or thermae, in Rome. It was built between AD 212 and 217, during the reigns of Septimius Severus and Caracalla. They would have had to install over 2,000t of material every day for six years in order to complete it in this time.
The baths remained in use until the 6th century when the complex was taken by the Ostrogoths during the Gothic War, at which time the hydraulic installations were destroyed. The bath was free and open to the public. The earthquake of 847 destroyed much of the building, along with many other Roman structures.
The building was heated by a hypocaust, a system of burning coal and wood underneath the ground to heat water provided by a dedicated aqueduct. It was in use up to the 19th century. The Aqua Antoniniana aqueduct, a branch of the earlier Aqua Marcia, by Caracalla was specifically built to serve the baths. It was most likely reconstructed by Garbrecht and Manderscheid to its current place.
In the 19th and early 20th century, the design of the baths was used as the inspiration for several modern structures, including St George's Hall in Liverpool and the original Pennsylvania Station in New York City. At the 1960 Summer Olympics, the venue hosted the gymnastics events.