The Museum im Kulturspeicher Würzburg is a municipal art museum opened in 2002 within a converted river-side warehouse that provides 3,500 m² of exhibit space in 12 rooms. It contains two distinct collections: the municipal art collection, founded in 1941 as the Städtische Gallerie and originally located in Hofstraße; and the Peter C. Ruppert Collection of European concrete art from World War II to the present day.
The municipal collection exhibits regional art, primarily from Franconia and Southern Germany, ranging from Biedermeier-style portraits and landscapes of the first half of the 19th century, through German impressionism and painters of the Berlin Secession, including Robert Breyer, Philipp Franck, Walter Leistikow, Joseph Oppenheimer, and Max Slevogt, as well as members of the Weimar Saxon-Grand Ducal Art School including Ludwig von Gleichen-Rußwurm and Franz Bunke. It also includes works by Bauhaus painter Hans Reichel and works from the estate of sculptor Emy Roeder, as well as about 30,000 graphics works.
The Ruppert collection includes concrete art from 22 European countries, incorporating a broad spectrum of materials and media, exhibited within six galleries. Artists include Max Bill, John Carter, Andreas Christen, Ralph Eck, Christoph Freimann, Gerhard von Graevenitz, Erwin Heerich, Malcolm Hughes, Norbert Kricke, Richard Paul Lohse, Maurizio Nannucci, Nausika Pastra, Henry Prosi, Bridget Riley, Peter Sedgley, and Anton Stankowski.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.