The Museum im Kulturspeicher Würzburg is a municipal art museum opened in 2002 within a converted river-side warehouse that provides 3,500 m² of exhibit space in 12 rooms. It contains two distinct collections: the municipal art collection, founded in 1941 as the Städtische Gallerie and originally located in Hofstraße; and the Peter C. Ruppert Collection of European concrete art from World War II to the present day.
The municipal collection exhibits regional art, primarily from Franconia and Southern Germany, ranging from Biedermeier-style portraits and landscapes of the first half of the 19th century, through German impressionism and painters of the Berlin Secession, including Robert Breyer, Philipp Franck, Walter Leistikow, Joseph Oppenheimer, and Max Slevogt, as well as members of the Weimar Saxon-Grand Ducal Art School including Ludwig von Gleichen-Rußwurm and Franz Bunke. It also includes works by Bauhaus painter Hans Reichel and works from the estate of sculptor Emy Roeder, as well as about 30,000 graphics works.
The Ruppert collection includes concrete art from 22 European countries, incorporating a broad spectrum of materials and media, exhibited within six galleries. Artists include Max Bill, John Carter, Andreas Christen, Ralph Eck, Christoph Freimann, Gerhard von Graevenitz, Erwin Heerich, Malcolm Hughes, Norbert Kricke, Richard Paul Lohse, Maurizio Nannucci, Nausika Pastra, Henry Prosi, Bridget Riley, Peter Sedgley, and Anton Stankowski.References:
La Hougue Bie is a Neolithic ritual site which was in use around 3500 BC. Hougue is a Jèrriais/Norman language word meaning a \'mound\' and comes from the Old Norse word haugr. The site consists of 18.6m long passage chamber covered by a 12.2m high mound. The site was first excavated in 1925 by the Société Jersiaise. Fragments of twenty vase supports were found along with the scattered remains of at least eight individuals. Gravegoods, mostly pottery, were also present. At some time in the past, the site had evidently been entered and ransacked.
In Western Europe, it is one of the largest and best preserved passage graves and the most impressive and best preserved monument of Armorican Passage Grave group. Although they are termed \'passage graves\', they were ceremonial sites, whose function was more similar to churches or cathedrals, where burials were incidental.