Christian churches in Portugal

Sé Catedral (Cathedral of Lisbon)

Lisbon's cathedral has a stark interior and differs from other European cathedrals in looking more like a castle.It was built over an old mosque and mixes the Romanesque and Gothic styles. While in other cities the cathedral is the grandest religious monument, in Lisbon that honor actually goes to the Hieronymus Monastery or even Basilica da Estrela. The site where it stands was the principal mosque of Lisbon when it was ...
Founded: 12th century | Location: Lisbon, Portugal

Jerónimos Monastery

The Jerónimos Monastery or Hieronymites Monastery is one of the most prominent examples of the Portuguese Late Gothic Manueline style of architecture in Lisbon. It was classified a UNESCO World Heritage Site, along with the nearby Tower of Belém, in 1983. The Jeronimos Monastery is the most impressive symbol of Portugal's power and wealth during the Age of Discovery. King Manuel I built it in 1502 on the site of a herm ...
Founded: 1502 | Location: Lisbon, Portugal

Monastery of São Vicente de Fora

Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal. The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriq ...
Founded: 16th century | Location: Lisbon, Portugal

Igreja de Santa Maria

The parish of Santa Maria de Sintra dates back to the time of Portugal’s foundation as a nation, when Dom Afonso Henriques, the first king of Portugal, conquered Sintra from the Moors. At that time, a small chapel was built here, later reconstructed in the 13th century by the prior Martim Dade. The great earthquake of 1755 caused serious damage to the church, but the original Gothic portico survived, displaying the ...
Founded: 13th century | Location: Sintra, Portugal

Igreja de São Roque

The Igreja de São Roque (Church of Saint Roch) in Lisbon was the earliest Jesuit church in the Portuguese world, and one of the first Jesuit churches anywhere. It served as the Society’s home church in Portugal for over 200 years, before the Jesuits were expelled from that country. After the 1755 Lisbon earthquake, the church and its ancillary residence were given to the Santa Casa da Misericórdia de L ...
Founded: 1506 | Location: Lisbon, Portugal

Estrela Basilica

The Estrela Basilica is a former carmelite convent built by order of Queen Maria I of Portugal, as a fulfilled promise for giving birth to a son (José, Prince of Brazil). The official name of the church is the Basilica of the Sacred Heart of Jesus. Construction started in 1779 and the basilica was finished in 1790, after the death of José caused by smallpox in 1788. The Estrela Basilica was the first church ...
Founded: 1779-1790 | Location: Lisbon, Portugal

Convento da Graça (Graça Convent)

Graça Convent is one of the oldest convents in Lisbon. According the legend, in 1362 the statue of Our Lady of Grace appeared in the network of a fisherman. The convent part is nowadays used by the army and is not open for visits, but the church is still in use. Most of the original Graça Church collapsed in the earthquake of 1755, so what you see today is an 18th century baroque monument. Inside it is part ...
Founded: 13th century | Location: Lisbon, Portugal

Carmo Convent Ruins

The Convent of Our Lady of Mount Carmel medieval convent was ruined during the sequence of the 1755 Lisbon earthquake. The destroyed Gothic Church of Our Lady of Mount Carmel on the southern facade of the convent is the main trace of the great earthquake still visible in the old city. The convent was founded in 1389 by the Constable D. Nuno Álvares Pereira (supreme military commander of the King), from the small C ...
Founded: 1389 | Location: Lisbon, Portugal

Convent of the Capuchos

The Convent of the Frairs Minor Capuchin, popularly known as the Convent of the Capuchos, is a historical convent consisting of small quarters and public spaces located in the civil parish of São Pedro de Penaferrim. The convent was founded in 1560, consisting of eight monks that arrived from the Convent of Arrábida. Between 1578 and 1580, the Chapel of Santo António was constructed, along with the erection of a wall ...
Founded: 1560 | Location: Sintra, Portugal

Igreja de Santo António (Saint Anthony Church)

This is the Church of Santo Antonio, or Saint Anthony of Padua (Italy). Despite his name, the saint was born in Lisbon 1195 in what is now the crypt of this church. The site of the family house where Anthony was born was turned into a small chapel in the 15th century. This early building, from which nothing remains, was rebuilt in the early 16th century, during the reign of King Manuel I. After long missionary pursuits, ...
Founded: 1730 | Location: Lisbon, Portugal

Igreja da Madalena (Magdalena Church)

The original church was erected in 1150 over a roman temple build in honor of the goddess Cybele, the mother-God. Three times destroyed, three times has been rebuilt. In 1363, a fire completely destroyed the church. In 1600 it was partially destroyed in a cyclone before succumbing to the earthquake in 1755. Queen Maria I of Portugal, in 1783 ordered to rebuild the church again. The Vestibule of this ch ...
Founded: 12th century | Location: Lisbon, Portugal

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King"s Garden, the Island Garden, Parterre Garden and the Prince"s Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.