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Quinta do Relógio is an estate located near the historic center of Sintra. It is classified as a World Heritage Site by UNESCO within the 'Cultural Landscape of Sintra'. Along with the nearby palaces such as Seteais Palace and the Quinta da Regaleira next to it, it is considered one of the tourist attractions of Sintra. The property consists of a romantic palace and chapel, and a park.
The estate, or quinta in Portuguese, was acquired by José de Sousa Coutinho, 15th Count of Redondo during the second half of the 18th century. During the reign of Dom Pedro V of Portugal, the architect António Manuel da Fonseca Jr. was commissioned to design and construct the palace. His design was influenced by Romanticism and Mudéjar Moorish Revival architecture with Neo-Manueline elements. The style is similar to nearby Monserrate Palace and elements of Pena Palace. The Islamic architectural influence is in reference to when the region was a part of the wider Muslim Gharb Al-Andalus until the 13th century.
The palace is considered one of the most important monuments of the Portuguese Moorish Revival style. The house has four floors with about 1500m2 of floor area. Next to the actual palace is also the house of servants, which has been refurbished. The estate has fallen into disrepair in the last couple of years and has been put of for sale.
The garden is designed in a romantic style with a lake, several springs and fountains and is surrounded by lush greenery with rare species such as pines, centuries-old oak trees, palm trees, cedars, magnolias, camellias and fuchsias, among many others.
The park offers views towards the Castle of the Moors.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.