The National Gallery of Slovenia was founded in 1918, after the dissolution of Austria-Hungary and the establishment of the State of Slovenes, Croats and Serbs. Initially, it was hosted in the Kresija Palace of Ljubljana, but moved to the present location in 1925.
The gallery hosts a permanent art collection from the Middle Ages to the early 20th century. The original of the Baroque Robba fountain can also be seen in the central glass gallery of the building.
The present building was built in 1896, during the administration of Mayor Ivan Hribar, whose ambition was to transform Ljubljana into a representative capital of all the Slovene Lands. It was designed by the Czech architect František Škabrout and was first used as a Slovenian cultural center as the central seat of various cultural associations of national importance. The building stands near Tivoli Park and was completely renovated in 2013-2016.
In the early 1990s, an extension to the main building was built by the Slovene architect Edvard Ravnikar. In 2001, a large transparent glass gallery, designed by the architects Jurij Sadar and Boštjan Vuga, was built to connect the two wings of the building.
The gallery hosts a permanent art collection from the Middle Ages to the early 20th century. The original of the Baroque Robba fountain can also be seen in the central glass gallery of the building, where it was moved after extensive restoration in 2008.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.