The National Gallery of Slovenia was founded in 1918, after the dissolution of Austria-Hungary and the establishment of the State of Slovenes, Croats and Serbs. Initially, it was hosted in the Kresija Palace of Ljubljana, but moved to the present location in 1925.
The gallery hosts a permanent art collection from the Middle Ages to the early 20th century. The original of the Baroque Robba fountain can also be seen in the central glass gallery of the building.
The present building was built in 1896, during the administration of Mayor Ivan Hribar, whose ambition was to transform Ljubljana into a representative capital of all the Slovene Lands. It was designed by the Czech architect František Škabrout and was first used as a Slovenian cultural center as the central seat of various cultural associations of national importance. The building stands near Tivoli Park and was completely renovated in 2013-2016.
In the early 1990s, an extension to the main building was built by the Slovene architect Edvard Ravnikar. In 2001, a large transparent glass gallery, designed by the architects Jurij Sadar and Boštjan Vuga, was built to connect the two wings of the building.
The gallery hosts a permanent art collection from the Middle Ages to the early 20th century. The original of the Baroque Robba fountain can also be seen in the central glass gallery of the building, where it was moved after extensive restoration in 2008.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.