The Jakopič Garden, named after the famous Slovenian Impressionist painter Rihard Jakopič, whose studio overlooked the garden, is the site of the remains of a terraced Roman house built in the 1st century AD as part of a larger building complex. In the times of the Roman Emona, the building, now referred to as House No. 15a, used to contain four apartments with a large shared atrium.
The remains of the house, which used to cover 500 square metres, include an original 1st century floor indicating the distribution of rooms, part of a nearby road, and a cloaca (sewer shaft), which still serves its original purpose. The building was raised three times, for the last time between the 4th and 5th centuries AD. On view at the Jakopič Garden is evidence of all the three upward extensions.
The north-facing main entrance to House No. 15 led to a hallway from which one corridor led to a room with a central heating furnace, kitchen and flush toilets, and another one to a winter parlour connected to a smaller room, both of which were paved and centrally heated. The Roman central heating system was based on the principle of heating uderfloor chambers from which hot air was flowing through earthen pipes installed into plastered walls. The building's main room, a summer parlour, was paved with a two-colour mosaic typical of the 4th and 5th centuries. The remains of the house bear witness of the high level of development of the culture of living in ancient Emona.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.