The Church of St. Lawrence dates back to ca. 1450 and is the oldest building in Vantaa and all of Greater Helsinki. Along with its surrounding neighborhood, the church is a part of the Helsingin pitäjän kirkonkylä district, which is one of the best preserved historical parishes in all of Finland.
The Church of St. Lawrence was partially destroyed in a fire on 7 May 1893, after which it was reconstructed in a Gothic Revival style.
The Church of St. Lawrence was built around the year 1450, though records suggest that a wooden equivalent stood in its position as early as 1401. Prior to the Protestant Reformation and the introduction of Lutheranism into Finland, the church served the Roman Catholic Church. It was built as the church of Helsinki Parish, well before Helsinki, the city, was founded in 1550. The parish village with its church was favorably located on a coastal road between Turku and Vyborg. A branch of the salmon-rich River Vantaa ran through the village as well.
On 7 May 1893, the church was largely destroyed by a conflagration, leaving behind only its stone walls and vaults. Reconstruction was overseen by the renowned Finnish architect Theodor Höijer, who opted to alter the appearance of the church by increasing the sizes of its windows and tending toward a Gothic Revival style. The reconstruction, or as it was referred to, the restoration, was influenced by the cultural context of the late 1800s, during which Medieval architecture was gaining newfound respect in Finland.
The church was reopened in 1894, marking the then-believed 400 year anniversary of the building. More recently, the church has been recognized as older, by at least 50 years.
The façade of the church is reminiscent of other Finnish medieval churches, such as the Porvoo Cathedral. The reason for the similarity is that many churches from that time period in southern Finland were designed by the same person, the anonymous Pernajan mestari, who is presumed to be a German architect. The church has, however, been redesigned to some extent following the fire of 1893, leading to the current design being a mixture of Medieval and Gothic Revival architecture.
The Church of St. Lawrence has an external bell tower located next to the front of the building. It was completely destroyed in 1893 and rebuilt in a style similar to the Gothic Revival style of the church building. The tower has two bells, and its roof is peaked by a flèche with a cockerel weather vane.
The church is surrounded by a graveyard, which acts as the primary graveyard for the parishes of Vantaa. Up until 1793, the graveyard remained constrained to its original size, until an inspection deemed it too crowded. Since then, it has been regularly expanded to suit the needs of the growing population. The graveyard's current area is about 10 hectares. It's most notable grave is the mausoleum of Swedish naval commander Carl Olof Cronstedt.
Prior to the fire of 1893, the church interior remained largely unchanged throughout the centuries. One change that took place was the treating of the inner walls with chalk; in the middle ages, the walls were decorated with Medieval paintings, but by the 18th century, the walls were chalked white. The fire revealed several pre-Reformation paintings on the church vaults, though contemporaries deemed the paintings artistically worthless and "primitive". Before being painted over again, the art historian Emil Nervander made replica paintings of them, which are currently stored by the Finnish National Board of Antiquities.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.