The Church of St. Lawrence dates back to ca. 1450 and is the oldest building in Vantaa and all of Greater Helsinki. Along with its surrounding neighborhood, the church is a part of the Helsingin pitäjän kirkonkylä district, which is one of the best preserved historical parishes in all of Finland.
The Church of St. Lawrence was partially destroyed in a fire on 7 May 1893, after which it was reconstructed in a Gothic Revival style.
The Church of St. Lawrence was built around the year 1450, though records suggest that a wooden equivalent stood in its position as early as 1401. Prior to the Protestant Reformation and the introduction of Lutheranism into Finland, the church served the Roman Catholic Church. It was built as the church of Helsinki Parish, well before Helsinki, the city, was founded in 1550. The parish village with its church was favorably located on a coastal road between Turku and Vyborg. A branch of the salmon-rich River Vantaa ran through the village as well.
On 7 May 1893, the church was largely destroyed by a conflagration, leaving behind only its stone walls and vaults. Reconstruction was overseen by the renowned Finnish architect Theodor Höijer, who opted to alter the appearance of the church by increasing the sizes of its windows and tending toward a Gothic Revival style. The reconstruction, or as it was referred to, the restoration, was influenced by the cultural context of the late 1800s, during which Medieval architecture was gaining newfound respect in Finland.
The church was reopened in 1894, marking the then-believed 400 year anniversary of the building. More recently, the church has been recognized as older, by at least 50 years.
The façade of the church is reminiscent of other Finnish medieval churches, such as the Porvoo Cathedral. The reason for the similarity is that many churches from that time period in southern Finland were designed by the same person, the anonymous Pernajan mestari, who is presumed to be a German architect. The church has, however, been redesigned to some extent following the fire of 1893, leading to the current design being a mixture of Medieval and Gothic Revival architecture.
The Church of St. Lawrence has an external bell tower located next to the front of the building. It was completely destroyed in 1893 and rebuilt in a style similar to the Gothic Revival style of the church building. The tower has two bells, and its roof is peaked by a flèche with a cockerel weather vane.
The church is surrounded by a graveyard, which acts as the primary graveyard for the parishes of Vantaa. Up until 1793, the graveyard remained constrained to its original size, until an inspection deemed it too crowded. Since then, it has been regularly expanded to suit the needs of the growing population. The graveyard's current area is about 10 hectares. It's most notable grave is the mausoleum of Swedish naval commander Carl Olof Cronstedt.
Prior to the fire of 1893, the church interior remained largely unchanged throughout the centuries. One change that took place was the treating of the inner walls with chalk; in the middle ages, the walls were decorated with Medieval paintings, but by the 18th century, the walls were chalked white. The fire revealed several pre-Reformation paintings on the church vaults, though contemporaries deemed the paintings artistically worthless and "primitive". Before being painted over again, the art historian Emil Nervander made replica paintings of them, which are currently stored by the Finnish National Board of Antiquities.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.