The Alte Pinakothek (Old Pinacotheca) is one of the oldest art museums in the world and houses one of the most famous collections of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the 14th to the 18th century. The Neue Pinakothek covers 19th-century art, and the recently opened Pinakothek der Moderne exhibits modern art. All three galleries are part of the Bavarian State Picture Collection, an organization of the Free state of Bavaria.
King Ludwig I of Bavaria (1825–1848) ordered Leo von Klenze to erect a new building for the gallery for the Wittelsbach collection in 1826. The Alte Pinakothek was the largest museum in the world and structurally and conceptually well advanced through the use of skylights and the convenient accommodation of northern lights for the cabinets. Even the neo-renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type usual in the early 19th Century. It is closely associated with the function and structure of the building as a museum. Very modern in its day, the building became exemplary for museum buildings in Germany and all of Europe after its inauguration in 1836, and thus became a model for new galleries in Rome, St Petersburg, Brussels and Kassel.
The museum galleries were designed to display Rubens's 'Last Judgment' (1617), one of the largest canvasses ever painted. The museum building was severely damaged by bombing in World War II but was reconstructed and reopened to the public in the late 1950s. The ornate, pre-war interior including the large loggia facing the south façade in the upper floor were not restored. A new wall covering was created in 2008 for the rooms on the upper floor of the Alte Pinakothek with a woven and dyed silk from Lyon. The new color scheme of green and red draws on the design of the rooms, dates back to the time of construction of the Alte Pinakothek and was predominant until the 20th Century. Already for King Ludwig I and his architect Leo von Klenze the use of a wall covering alternately in red and green, showed the continuation of a tradition that dates back to the exhibition of the old masters of the late 16th Century in many of the major art galleries in Europe and there exists to this day.
The museum is under the supervision of the Bavarian State Picture Collection which also owns an expanded collection of several thousand European paintings from the 13th to 18th centuries. Especially its collection of Early Italian, Old German, Old Dutch and Flemish paintings is one of the most important in the world. Among other masterpieces The Madonna of the Carnation, a.k.a. Madonna with Vase or Madonna with Child, by Leonardo da Vinci is displayed at the Alte Pinakothek.References:
Montparnasse Cemetery was created from three farms in 1824. Cemeteries had been banned from Paris since the closure, owing to health concerns, of the Cimetière des Innocents in 1786. Several new cemeteries outside the precincts of the capital replaced all the internal Parisian ones in the early 19th century: Montmartre Cemetery in the north, Père Lachaise Cemetery in the east, and Montparnasse Cemetery in the south. At the heart of the city, and today sitting in the shadow of the Eiffel Tower, is Passy Cemetery.
Montparnasse cemetery is the burial place of many of France's intellectual and artistic elite as well as publishers and others who promoted the works of authors and artists. There are also many graves of foreigners who have made France their home, as well as monuments to police and firefighters killed in the line of duty in the city of Paris.
The cemetery is divided by Rue Émile Richard. The small section is usually referred to as the small cemetery (petit cimetière) and the large section as the big cemetery (grand cimetière).
Although Baudelaire is buried in this cemetery (division 6), there is also a cenotaph to him (between division 26 and 27). Because of the many notable people buried there, it is a highly popular tourist attraction.