The Neue Pinakothek is an art museum in Munich. Its focus is European Art of the 18th and 19th century and is one of the most important museums of art of the 19th century in the world. Together with the Alte Pinakothek and the Pinakothek der Moderne it is part of Munich's 'Kunstareal' (the 'art area').
The museum was founded by the former King Ludwig I of Bavaria in 1853. The original building constructed by Friedrich von Gärtner and August von Voit was destroyed during World War II. The ruin of the Neue Pinakothek was demolished in 1949. Designed by architect Alexander Freiherr von Branca the new postmodern building with features such as arched windows, keystones, bay windows and stairways, opened in 1981. It combines a concrete construction with a stone facade design.
The museum is under supervision of the Bavarian State Painting Collections which houses an expanded collection of more than 3.000 European paintings from classicism to art nouveau. About 400 paintings and 50 sculptures of these are exhibited in the New Pinakothek. It has one of the world's leading collections of French Impressionists masterpieces like Pierre-Auguste Renoir, Édouard Manet, Claude Monet, Paul Cézanne, Paul Gauguin etc.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.