Pinakothek der Moderne, Munich, Germany

The Pinakothek der Moderne is one of the world's largest museums for modern and contemporary art. Designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction.

In contrast to other cities Munich was not much affected by the Nazi regime's banning of modern art as 'degenerate art,' since only a few modern paintings were already collected by the Tschudi Contribution in 1905/1914, like the Still Life with Geraniums of Henri Matisse, the collection's first acquisition. Since 1945, however, the collection, previously exhibited in the Haus der Kunst, has grown quickly by purchase, as well as donations by individuals and several foundations. Various art movements of the 20th century are represented in the collection, including Expressionism, Fauvism, Cubism, New Objectivity, Bauhaus, Surrealism, Abstract Expressionism, Pop Art and Minimal Art.

In addition to a focused collection policy to individual priorities, the portfolio was extended in particular through the collections, Theo Wormland (surrealism), 'Sophie and Emanuel Fohn' (who rescued degenerate art), Woty and Theodor Werner (images of Paul Klee and the Cubists) and the collection of Franz, Duke of Bavaria with contemporary German painters such as Jörg Immendorff and Sigmar Polke.

References:

Wikipedia

User Reviews

ILAYDA EZGI ZENGIN (6 months ago)
Great exhibition and great experience! It has a wide open space at the entrance that doesnt make you feel its crowded even in the rush days. One thing to be improved would be the path structure to follow while visiting the different rooms. It was not so clear at the beginning to understand where it starts and how it goes but other than that once it is understood it gives the perfect experience that a modern museum should give:)

Natalie Kim (7 months ago)
One of the best if not The Best art museum I've ever been anywhere in the world. From the building's architecture to the collections to the curation, this museum offers an absolute cultural feast. They also have an impressive design section at the basement that's not to be missed.

Liza Kim (8 months ago)
The museum is amazing! But personal is totally awful. For the first one security guy wasn't wearing a mask and was loud talking on phone, in the middle of exhibition. Also they take people away 10(!) minutes before they closing, so count your time wisely. At least they can speak English sometimes.

Milja (13 months ago)
Andy Warhol, Salvador Dali and Kokoshka and so many other great painters. If you are visiting Munich definitely go and see. Amazing and beautiful experience.

Malena G (15 months ago)
Interesting galaery

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Les Invalides

Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.

Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.

Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.

Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.

The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.

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