The Pinakothek der Moderne is one of the world's largest museums for modern and contemporary art. Designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction.
In contrast to other cities Munich was not much affected by the Nazi regime's banning of modern art as 'degenerate art,' since only a few modern paintings were already collected by the Tschudi Contribution in 1905/1914, like the Still Life with Geraniums of Henri Matisse, the collection's first acquisition. Since 1945, however, the collection, previously exhibited in the Haus der Kunst, has grown quickly by purchase, as well as donations by individuals and several foundations. Various art movements of the 20th century are represented in the collection, including Expressionism, Fauvism, Cubism, New Objectivity, Bauhaus, Surrealism, Abstract Expressionism, Pop Art and Minimal Art.
In addition to a focused collection policy to individual priorities, the portfolio was extended in particular through the collections, Theo Wormland (surrealism), 'Sophie and Emanuel Fohn' (who rescued degenerate art), Woty and Theodor Werner (images of Paul Klee and the Cubists) and the collection of Franz, Duke of Bavaria with contemporary German painters such as Jörg Immendorff and Sigmar Polke.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.