The Château de Termes is one of the so-called Cathar castles. Built on a promontory, defended on three sides by formidable deep ravines, the crumbling ruins of the castle cover an area of 16 000m². Held by the Cathar heretic Ramon (Raymond) de Termes, the castle only fell to Simon de Montfort after a siege lasting four months, from August to November 1210, the hardest siege of the first period of the Albigensian Crusade. Following an exceptionally dry summer and autumn, the empty water tanks led Raymond to offer surrender. However, as the crusaders advanced to possess the castle, they were met with a hail of arrows. A heavy storm overnight had replenished the cisterns and the defenders were able to hold out a little longer. Later, weakened from dysentery, and exposed to the fire of numbers of siege weapons, the garrison attempted unsuccessfully to creep out at night. The alarm was raised, the fugitives caught and killed, and Raymond surrendered the castle. After de Montfort's death, Raymond regained possession of the castle but was soon forced to give it up again, this time to the King of France.
Rebuilt in the 13th century as a royal garrison, the castle was one of the 'sons of Carcassonne' (five castles defending the border with Aragon and later Spain). When the border moved further south in the 17th century, the castle lost its function. It was taken over by a band of brigands who used it as a base from which to terrorise and pillage the surrounding country. To stop this, it was demolished by royal decree - a master mason from Limoux spent 1653 and 1654 blowing up the walls with gunpowder and reducing them to piles of rubble.
A short walk from the modern village of Termes are substantial ruins of the Château on a hill top nearby, including the vestiges of an extensive system of forward defenses. The ruins stand at an altitude of 470m on top of a hill surrounded on three sides by a ravine formed by the river Sou. You can see where le Termenet, the forward outpost, protected the fourth, most vulnerable, side. Few of the remains date from the Crusade only part of the southern face of the outer curtain wall, the inner wall and some of the buildings it protected. The rest is the work of royal engineers in the second half of the 13th century and the beginning of the 14th.References:
The Church of Our Lady before Týn is a dominant feature of the Old Town of Prague and has been the main church of this part of the city since the 14th century. The church's towers are 80 m high and topped by four small spires.
In the 11th century, this area was occupied by a Romanesque church, which was built there for foreign merchants coming to the nearby Týn Courtyard. Later it was replaced by an early Gothic Church of Our Lady before Týn in 1256. Construction of the present church began in the 14th century in the late Gothic style under the influence of Matthias of Arras and later Peter Parler. By the beginning of the 15th century, construction was almost complete; only the towers, the gable and roof were missing. The church was controlled by Hussites for two centuries, including John of Rokycan, future archbishop of Prague, who became the church's vicar in 1427. The roof was completed in the 1450s, while the gable and northern tower were completed shortly thereafter during the reign of George of Poděbrady (1453–1471). His sculpture was placed on the gable, below a huge golden chalice, the symbol of the Hussites. The southern tower was not completed until 1511, under architect Matěj Rejsek.
After the lost Battle of White Mountain (1620) began the era of harsh recatholicisation (part of the Counter-Reformation). Consequently, the sculptures of 'heretic king' George of Poděbrady and the chalice were removed in 1626 and replaced by a sculpture of the Virgin Mary, with a giant halo made from by melting down the chalice. In 1679 the church was struck by lightning, and the subsequent fire heavily damaged the old vault, which was later replaced by a lower baroque vault.
Renovation works carried out in 1876–1895 were later reversed during extensive exterior renovation works in the years 1973–1995. Interior renovation is still in progress.
The northern portal is a wonderful example of Gothic sculpture from the Parler workshop, with a relief depicting the Crucifixion. The main entrance is located on the church's western face, through a narrow passage between the houses in front of the church.
The early baroque altarpiece has paintings by Karel Škréta from around 1649. The oldest pipe organ in Prague stands inside this church. The organ was built in 1673 by Heinrich Mundt and is one of the most representative 17th-century organs in Europe.